An e book bargain-Welcome to the blog tour for The Booklover’s Library by Madeline Martin

I am very excited to be a part of this blog tour. I have enjoyed everything that I have read by this author. Fans of historical fiction will too. This book is definitely worth a look!

Many thanks to everyone at HTP for this opportunity.

About the Book:

A heartwarming story about a mother and daughter in wartime England and the power of books that bring them together, by the bestselling author of The Last Bookshop in London.

In Nottingham, England, widow Emma Taylor finds herself in desperate need of a job. She and her beloved daughter Olivia have always managed just fine on their own, but with the legal restrictions prohibiting widows with children from most employment opportunities, she’s left with only one option: persuading the manageress at Boots’ Booklover’s Library to take a chance on her with a job.

When the threat of war in England becomes a reality, Olivia must be evacuated to the countryside. In the wake of being separated from her daughter, Emma seeks solace in the unlikely friendships she forms with her neighbors and coworkers, and a renewed sense of purpose through the recommendations she provides to the library’s quirky regulars. But the job doesn’t come without its difficulties. Books are mysteriously misshelved and disappearing and the work at the lending library forces her to confront the memories of her late father and the bookstore they once owned together before a terrible accident.

As the Blitz intensifies in Nottingham and Emma fights to reunite with her daughter, she must learn to depend on her community and the power of literature more than ever to find hope in the darkest of times.

Start reading:

PROLOGUE

Nottingham, England April 1931

JUST ONE MORE CHAPTER. Emma lingered in the storage area on the second floor of her father’s bookshop, Tower Bookshop, with Jane Austen’s Emma cradled in her lap. Sadly, not her namesake—her parents had named her Emmaline for an aunt she’d never met, who had died on Emma’s seventh birthday ten years ago.

Still, the book was one of Emma’s favorites.

“Emma.” Papa’s voice rose from somewhere in the bookshop, sharp with irritation.

She frowned. Papa was seldom ever cross with her.

Perhaps the smoke from the man who had come in with his cigar earlier still lingered in the shop.

She settled a scrap of paper into the spine of her book.

“Emmaline!” Something to that second cry snapped her to attention, a raw, frantic pitch.

Papa was never panicked.

She leaped up from the seat with such haste, the book dropped to the ground with a whump.

“I’m in the warehouse,” she called out, racing to the door.

The handle was scalding hot. She yelped and drew back. That’s when she saw the smoke, wisps seeping beneath the door, glowing in the stream of sunlight. 

Fire.

She put her skirt over her hand and twisted the knob to open the door. Thick plumes of smoke billowed in, black and choking.

She sucked in a breath of surprise, unintentionally inhaling a lungful of burning air. A cough racked her and she stumbled back, her mind reeling as her feet pulled her from the threat.

But to where? This was the only exit from the storeroom, save the second-floor window.

“Papa,” she shouted, terror creeping into her voice.

All at once, he was there, wrapping a blanket around them, the one she kept in the shop for cold mornings before the furnace managed to heat the old building.

“Stay at my side.” Papa’s voice was gravelly beneath the blanket where he’d covered the lower part of his face. Even as he led her away, a great cough shuddered through his lean frame.

Beyond the wall of smoke was a vision straight out of Milton’s Paradise Lost as fire licked and climbed its way up the towering stacks of books, devouring a lifetime of careful curation. Emma screamed, the sound muted by the blanket.

But Papa’s hand was firm at her back, pressing her forward. “We have to run.” Not slowing, he guided her to the winding metal staircase. She used to love clattering down it as a girl, hearing the metal ringing around her.

“It’s hot,” Papa cautioned. “Don’t touch it.”

Emma hugged against his side as they squeezed down the narrow steps that barely fit the two of them together. It swayed beneath their weight, no longer sturdy as it had once been. The blazing heat felt as though it was blistering Emma’s skin. Too hot. Too close. Too much.

And they were plunging deeper into the fiery depths.

The soles of Emma’s shoes stuck to the last two steps as rubber melted against metal.

What had once been rows of bookshelves was now a maze of flames. Even Papa hesitated before the seemingly impassable blaze.

But there was nowhere else to go.

The fire was alive. Cracking and popping and hissing and roaring, roaring, roaring so loud, it seemed like an actual beast.

“Go,” he shouted, and his grip tightened around her, pulling her forward.

Together they ran, between columns of fire that had once been shelves of books. An ear-shattering crack came from above, spurring them to the front as fire and sparks poured down behind them.

Emma ran faster than she ever had before, faster than she knew herself capable. Papa’s arm at her side yanked her this way or that, navigating through the fiery chaos. Until there was nowhere to go.

Papa roared louder than the fire beast and released her, running toward the blazing door. It flew open at the impact, revealing clean sunny daylight outside. He turned toward her even as she rushed after him and grabbed her around the shoulders, hauling her into the street.

Emma gulped in the clean air, reveling in the cool dampness washing into her tortured lungs. A crowd had gathered, staring up at the Tower Bookshop. Some came to Emma and Papa, asking in a frenzy of voices if they were hurt.

In the distance came the scream of emergency sirens. Sirens Emma had heard her entire life, but had never once needed herself.

There was need now. She held on to Papa’s hand and looked behind her at the building that had been in her family for two generations and was meant to become hers someday. Her gaze skimmed over the bookshop to the top two floors where their home had once been.

The fire beast gave a great heaving howl and the top floor crumpled.

Someone grabbed her from behind, dragging her back as the rest of the structure came down, ripping her hand from her father’s. She didn’t reach for him again, unable to move, unable to think, her eyes fixed on the building as it crashed in on itself in a fiery heap. Their livelihood. Their home.

All the pictures of her mother who had died after Emma was born, all the books she and her father had lovingly selected from bookshops around England on the trips they’d taken together, everything they’d ever owned.

Gone.

Emma choked on a sob at the realization.

Everything was gone.

“We need a doctor.” A man’s voice broke through her horror, pulling her attention to her father.

He lay on the ground, motionless. Soot streaked his handsome slender face, and his thick gray hair that had once been the same shade of chestnut as hers was now singed in blackened tufts.

“Papa?” She sagged to the ground beside him.

His eyes lifted to her, watery blue and filled with a love that made her heart swell. The breath wheezed from his chest like a kettle’s cry. “You’re safe.”

Once the words left his mouth, his body relaxed, going slack.

“Papa?” Emma cried.

This time his eyes did not meet hers. They looked through her. Sightless and empty.

She shuddered at how unnatural he appeared. Like her father, and yet not like her father.

“Papa?”

The wailing sirens were still too far-off.

“I’m a doctor.” A man knelt on the other side of her father. His fingers went to Papa’s blackened neck and the man’s sad brown eyes turned up to her.

“I’m sorry, love. He’s gone.”

Emma stared at the man, refusing to believe her ears even as she saw the truth.

It had always just been Emma and her father, the two of them against the world, as Papa used to say. They read the same books to discuss together, they worked every day at the bookshop together, friends and colleagues as much as they were father and daughter. Once Emma had completed her schooling, she’d even traveled with him, curating books like the first editions they were still waiting on to arrive from Newcastle.

Now that beautiful light that shone in his eyes had dulled. Lifeless.

It was no longer Papa and her against the world.

He was gone.

Their shop was gone.

Their home was gone.

Everything she knew and loved was gone.

Excerpted from THE BOOKLOVER’S LIBRARY by Madeline Martin, Copyright © 2024 by Madeline Martin. Published by arrangement with HTP Books, a Division of HarperCollins.

About the Author:

Madeline Martin is a New York Times, USA Today, and internationally bestselling author of historical fiction and historical romance with books that have been translated into over twenty-five different languages.

Buy Links:

HarperCollins: https://www.harpercollins.com/products/the-booklovers-library-madeline-martin?variant=41311560695842 

Amazon: https://www.amazon.com/dp/1335000399  

Barnes & Noble: https://www.barnesandnoble.com/w/the-booklovers-library-madeline-martin/1143849745  

BookShop.org: https://bookshop.org/p/books/the-booklover-s-library-original-madeline-martin/20392302 

Social Links:

Author Website: https://madelinemartin.com/ 

Facebook: https://www.facebook.com/MadelineMartinAuthor 

Twitter: https://twitter.com/MadelineMMartin 

Instagram: https://www.instagram.com/madelinemmartin/ 

Goodreads: https://www.goodreads.com/author/show/12062937.Madeline_Martin 

The Booklover’s Library

By Madeline Martin

On Sale: September 10, 2024

ISBN: 9781335000392

Hanover Square Press Paperback Original 

Price: $18.99

An e book bargain: The Maid by Nita Prose

The Maid has garnered so much praise both before and after publication. It is a book that is definitely worth reading. Those who enjoy The Thursday Murder Club and Ruth Galloway mysteries are certain to love this novel with it quirky, idiosyncratic and (morally) good protagonist.

Molly sees the world in her own way. She appears to be “on the spectrum,” though I hate to use that term and do not want to make Molly anything other than the unique woman that she is. Molly has trouble reading social cues and people’s facial expressions. This can lead to her being naively trusting. Molly speaks with a beautifully old fashioned syntax and sometimes makes rhymes as, for example, “a tissue for your issue.”

Molly lives with her grandmother who works as a domestic. Molly is herself a maid, working at the Grand Hotel. It is a job that suits her orderly personality and Molly takes great pride in her work. (She will hopefully leave readers with more respect for those who toil in hotels for the benefit of the guests).

Molly becomes involved in a series of events that leave her in over her head. There were times when I wanted to yell “stop” to Molly when she trusted some of the hotel staff and guests but, of course, could not do so. The fact that I wanted to is a tribute to the author’s ability to create characters for whom readers will care.

Who will protect Molly? Will she get out of this mess? Will she or the hotel ever be the same? Read this charming, heartfelt novel to find out. To use one of Molly’s favorite words, it is “delightful.”

I sincerely hope that the author’s next book is published soon. I give this first novel of hers five stars.

Many thanks to NetGalley and the publisher. All opinions are my own.

An e book bargain-There are longings: Long Island (Colm Toibin)

This book has already been greeted enthusiastically by many. Among these readers is Oprah Winfrey who has made it her book club pick. It has been reviewed widely and anyone who read (or saw the movie) Brooklyn will want to spend time with this novel.

This is a story of Eilis twenty or so years after the events in Brooklyn. She has found herself a housewife (with occasional work), mother of two and is still married to Tony; his boisterous clan makes their presence in her life rather prominent.

The catalyst for what happens is that Tony has impregnated another woman. Needless to say Eilis is not pleased. One way that she copes is by going back to Ireland. Yes, she does again meet up with Jim while there.

What will happen to this family as they face a crisis? Eilis once left but returned to Tony. What will she do this time?

I found the writing in this book to be deceptively simple. There is much behind what each character says and does. It is a paean to well written prose.

Even if a reader has not yet enjoyed Brooklyn, they can still read this one. I recommend it.

Many thanks to NetGalley and Scribner for this title. All opinions are my own.

Pub date: 07 May 2024

Let’s listen: Tell Me Everything-an e book bargain

A Novel

by Elizabeth Strout

#TellMeEverything #NetGalley

Anyone who has read one book by Elizabeth Strout will surely read all of her others. I found this one to be a special treat because it brings together characters from earlier titles including (my favorite) Bob Burgess, Olive Kitteridge, Lucy Barton and others.

The prose is beautiful, the story is engaging and the visit to Crosby, Maine is most welcome. I was delighted to follow the challenges and relationships in this small community.

I find Strout to be such a wise author. This is definitely a book to add to a fiction lover’s TBR list.

Many thanks to NetGalley and Random House Publishing Group for this title. All opinions are my own.

Pub date: 10 September 2024

An e book bargain: By Any Other Name

Jodi Picoult

#ByAnyOtherName #NetGalley

Where does the title come from? Find out below. Think too of the different meanings it might have.

Picoult is an author who does not write the same book twice. That said, she has a knack for writing interesting novels that are often quite topical (school shootings, abortion and more).

In this latest work, Picoult examines ways in which women’s work is often taken to be less valuable. How might this play out in two time periods? Turn the pages to find out.

In the earlier time period, Picoult postulates that Emilia Bassano was never credited but wrote many of Shakespeare’s plays. Could this be true?

The world of her and Shakespeare’s time is very authentically portrayed here. Picoult did her research. Details of clothing, education, women’s roles, the power of men and more come alive.

Emilia faced many obstacles after her father died and her mother left her. She was educated but faced many constraints. How did she survive?

In the present day, Mel, who is a budding playwright, faces many challenges. She has learned that Emilia was a relative and has written a play about her. How are their lives the same and different? How do they each face their creative obstacles? Read this long novel to find out.

Be sure to look at the notes at the back of the book. There are lots of details on Shakespeare related references.

Those who are already fans of the author will likely buy this book. I hope that those new to her will also pick this up.

Many thanks to NetGalley and Random House Publishing Group-Ballantine Books for this title. All opinions are my own.

Title answer: Romeo and Juliet. Think 🌹

Pub date: 20 August 2024

From the publisher

We are: Here One Moment by Liane Moriarty-an e book bargain

#HereOneMoment #NetGalley

What a concept! Imagine you are on a plane. You have your reasons for being there, things that you are thinking about and have settled in. Imagine that in the midst of whatever you are doing, a woman stands in front of you and tells you when you will die and of what. How would you react? How intense would that be? This is the monumental basis for Moriarty’s latest novel. No spoiler-she spectacularly pulls it off.

Get to know many characters. They are of different ages, sexes, experiences. How will they move forward when they have this information? Will it be true? Who is the woman making the predictions? Read this long (500 plus pages) novel that is divided into many short sections to find out. See if it will change you.

Highly recommended.

Many thanks to NetGalley and Crown Publishing for this title. All opinions are my own.

Pub date: 10 September 2024

From the Publisher

Bookshot with Anne Lamott saying A riveting story so wild you don’t know how she’ll land it
New York Times bestselling author Liane Moriarty with author photo
Funny, heartbreaking, and life-affirming says Chris Whitaker
Life is full of twists

The Hawk is Dead by Peter James

Peter James has written many Roy Grace thrillers. I am among, what I suspect, are the very few not to have read them. I made up for this with The Hawk is Dead, a title that I thoroughly enjoyed. I trust that I will make my way to the author’s backlist post haste.

There was much that I loved in this novel that is based on a killing that took place after a train on which Queen Camilla was traveling was derailed. Who was the intended victim? Whodunnit? Why? Find out while enjoying this lengthy (over 500 pages) title.

The plot was involving, the characters (including the Royals) well drawn, the settings vivid and the detection involving. So much to like here.

Many thanks to NetGalley and Pan Macmillan for this title. All opinions are my own.

About the Author (from the Amazon website)

PETER JAMES is a New York Times and Sunday Times bestselling author best known for his crime thrillers featuring Detective Superintendent Roy Grace, who Queen Camilla recently named as her favourite fictional detective. Praised by critics and much loved by crime and thriller fans for his fast-paced page-turners full of unexpected plot twists, sinister characters, and accurate portrayal of modern-day policing, he has won more than 40 awards for his work, including the WHSmith Best Crime Author of All Time Award and the Crime Writers’ Association Diamond Dagger.

His books have sold over 23 million copies worldwide, achieved 21 Sunday Times No 1s, and have been translated into 38 languages. His Roy Grace novels are currently filming their 6th season for the hit ITV drama, Grace, starring John Simm as the troubled Brighton copper and available to view on ITVX and on Britbox.

Seven of his novels have been adapted into hit stage plays, with his most recent, Picture You Dead, now on national tour in the UK. His plays have have been named as “The most successful stage franchise since Agatha Christie.


From the Publisher

Text reads 'PETER JAMES' 'THE HAWK IS DEAD' 'COMING OCTOBER 2025' 'PRE-ORDER NOW'. Marketing banner with dramatic red and black gradient background.

Spotlight on: Rethinking American Art by Theodore E. Stebbins Jr.

#RethinkingAmericanArt #NetGalley1

From the publisher:

A sweeping history of changing critical standards and values in American art across 200 years. Art lovers, perplexed why their favorite artists are no longer on the walls of their local museums, will understand why change is constant. All art lovers will find a cautionary lesson about the unpredictable future.



Each generation of experts believes its own taste is the last word.



As the author writes, “People are inclined to view past changes in taste as unique misjudgments that will not happen again…. How unthinking, how stupid, they think, not realizing that the pattern has been repeated again and again in the past and will be in the future. We now recognize that the process is a continual one. Each past canon was established for good reason; there are no mistakes, there is only history. Many of the favored artists of any period including our own will drop from favor, something that art dealers never tell their clients, or museum curators their boards.” Stebbins describes the taste and outlook of each generation through his extensive research on the critics, museum activities, and the art market of each era.



An entire section of the book is devoted to some of the most important collectors of the 20th century. Rejecting the typical curator’s role as a flatterer of collectors, Stebbins examines these collectors in depth for the first time, outlining their successes and failures and their quirky personalities. He takes a hard look at the warring brothers, Sterling and Steven C. Clark; the inhibited Grenville Winthrop who left over 4,000 works to Harvard; Maxim Karolik, the gifted Ukrainian Jew who miraculously created a new canon during the Second World War; and, more recently, the enormously wealthy Alice Walton who built a new, ambitious museum of American Art in Arkansas. Of special interest is the author’s explanation of the rise and fall of American Impressionism and of the role played by the New Yorkers Raymond and Margaret Horowitz in this development.



This important volume concludes with several chapters devoted to the aesthetic standards that came to dominate the art world in recent years. At their core is a new emphasis on diversity, and a greatly expanded effort to showcase Black and women artists. Nearly every museum with collections of American art took this direction. Stebbins describes the successes and failures of many of these museums’ efforts to reinstall their collections and redefine their audiences, from the Met and the Philadelphia Museum of Art on the East Coast, to Houston and San Francisco. Most importantly, he explores the question of whether the old ideal of seeking quality in art needs to be sacrificed to the aim of diversity.



The author, Theodore E. Stebbins, Jr., was in the center of every development in American art collecting and exhibitions from the 1960s to well into the 2000s, as curator of American art at the Yale University Art Gallery, the Museum of Fine Arts, Boston, and the Harvard Art Museum. He is the author of twenty-five books on nearly every important American painter starting with Copley. Stebbins is uniquely able to put recent shifts in the canon within the context of regular, generational shifts in taste that tell us much about the value that is placed on art—including who decides what matters and why. In this book, he presents a new way of looking at American art, and he doesn’t pull his punches.



Profusely illustrated, deeply informed, fascinating and controversial, Rethinking American Art is indispensable for those seeking an understanding of American art and art collecting.

Editorial Reviews

Review

“I cannot think of another book like this—both in its descriptions of the influential critics and curators of the past and its insider’s perspective on a handful of key American art collectors. Bringing older notions of ‘quality’ and ‘masterpiece’ into the present, Stebbins also tracks the current generational shift, reviewing without partisan rancor the scholarly and cultural changes that have rocked American museums and classrooms in the last two decades. The profiles of collectors he knew personally are touching; his familiarity with dealers and the art market is invaluable. This is a book the field of American art has been waiting for.”
—Dr. Kathleen Foster, Curator of American Art, Philadelphia Museum of Art

“Ted Stebbins and I have been friends for fifty years. He has long been a guide to Carolyn and me in the world of American art. His help has been extraordinary. I value his judgment and his integrity. All of his recommendations have been outstanding and with great perspective. This book is a great read.”
—Peter Lynch, investor, philanthropist, collector

“Ted Stebbins has written a book of keen insight and clear analysis, filled with cautionary tales for the future. He has done so with a keen respect for the past, and a brilliant and ever-present engagement with the wonders of art. He writes of works of art as if he is seeing each for the first time, with a freshness and enthusiasm that helps us to see and understand. He recalls with clarity and discernment the many great individuals with whom he navigated institutions, and the marketplace, with a candor that will long be remembered. It is a memoir that, though steeped in history and memory, anticipates the future with boundless, inspiring energy.”
—Matthew Teitelbaum, Director Emeritus, Museum of Fine Arts, Boston

“Stebbins is our guide to the shifting canon of painters that he actively helped redefine. Stebbins’s shrewd purchases for museums, his original exhibitions, his teaching and his persuasive writing have changed the field of American studies. He’s known practically everybody in that field. His sharp portraits of collectors and dealers, competitors and colleagues, make for entertaining reading.”
—John Walsh, Director Emeritus, Getty Museum

“This highly informative and deeply insightful book beautifully charts the many ways American art has been appreciated, studied, valued, collected—and ultimately judged—across time. Stebbins, employing the knowledge and wisdom gained from more than 60 years as a preeminent scholar and curator of American art, provides a meticulously researched and documented history that is engagingly enriched by personal knowledge and experience. I know of no one who could have told this story more eloquently.”
—Franklin Kelly, Deputy Director and Chief Curator, National Gallery of Art (retired)

“I was Director of American Paintings at Sotheby’s from 1976-2008, years of great growth in the field. Ted Stebbins was the one museum curator who attended virtually every auction preview, closely examining every painting, as well as contributing his scholarship to us on numerous occasions. His book is a thorough investigation into all facets of the American art world, both in depth and with great insight. Truly a treasured resource.”
—Peter Rathbone, former Director of American Paintings, Sothebys

My thoughts:

This book will be welcomed by those who have a serious interest in American art. It is beautifully formatted and a bit pricey. It is worth it though. This title is gorgeously filled with American art and the text is quite readable.

Rethinking American Art belongs in college libraries and private collections.

Many thanks to NetGalley and Godine for this title. All thoughts are my own.

Pub date: 14 October 2025

An e book bargain-I would love to join: The Fellowship of Puzzle Makers (Samuel Burr)

An e book bargain today

#TheFellowshipofPuzzlemakers #NetGalley

Samuel Burr has written a lovely book and one that I very much enjoyed. Here is a story about friendship, community, figuring out one’s life and the ways in which life might puzzle us.

The premise is that Pippa, a superb cruciverbalist, wants to form a group for those who love puzzles in all their guises. This leads to the collection of characters and eccentricities that fill these pages.

When Pippa was well past child bearing age, a child was left on her doorstep. He was in a hatbox (pay attention to this). Pippa took on parenting him as did the other fellowship members (each of which has a special talent). The time comes when Clayton, now grown, goes on a quest to learn more about his origins. Readers and he learn much in the process.

Readers will hope for Clayton’s happiness. They may be surprised by some of the details of the story. For example, Pippa adored Danielle Steel and had all of her novels. Her friend Nancy frequently reread them as well. Will this be significant? What other clues will Clayton find as he tries to solve what might be his biggest puzzle?

Anyone who enjoys a touching story should reach for this one. Those who loved The Wishing Game as much as I did will find much to enjoy here as well.

Many thanks to NetGalley and Vintage Anchor-Doubleday for this title. All opinions are my own.

I do note that in the beginning it was a bit difficult to keep the characters straight. Readers can trust that it will all come together and don’t need to worry about this.

This title was published in April 2024.

From the publisher:

READERS GUIDE

Teeming with heart, humor, and lovably eccentric characters, The Fellowship of Puzzlemakers is a moving, wildly clever, and life-affirming triumph about finding one’s place in the world.

Right up until her death at age ninety-two, life was a fabulous puzzle for crossword doyenne Pippa Allsbrook. The missing piece was Clayton. He’s the infant she found tucked in a hatbox twenty-five years earlier and raised among the brainiest, quirkiest extended family a boy could imagine: the riddlers, jigsaw artists, maze designers, and codebreakers in Pippa’s collective, the Fellowship of Puzzlemakers.

It’s so like Pippa to leave Clayton with one last puzzle: that of his own personal history and the fates that led him to the Fellowship. For Clayton, this is his chance to figure out where in the world he belongs. Clue by clue, he’s also discovering more about Pippa’s past and where his future lies. Like all great puzzles, it won’t be simple. But nothing worth solving ever is. The Fellowship of Puzzlemakers is a poignant and exuberant debut novel about finding human connections at the crosswords of life.

The following questions are designed to enrich your book club’s discussion of The Fellowship of Puzzlemakers and illuminate its themes of family, secrets, and coming of age—no matter how late that might be.

Questions and Topics for Discussion

1. In Pippa’s Fellowship, she found her people. In what ways does the Fellowship mirror the communal experience and commonalities of your own reading group?
 
2. One of the first challenges for the Fellowship (and for readers) is the cryptogram on page 40. How many of you tried to solve it before reading on? And in what ways does the solution—In the end we only regret the chances we didn’t take—reflect the journeys of the characters?
 
3. On page 5, Pippa describes finding the infant Clayton as “miraculous” and a “solution she’d spent a lifetime searching for.” To what problem in Pippa’s life is his appearance a solution?
 
4. At first, Clayton bristles at the idea of Pippa’s game “from the beyond the grave” (on page 9) Why does Pippa think Clayton still needs to be challenged?
 
5. The motto of Pippa, the cryptic queen, is Veni, Vidi, Solvi—I Came, I Saw, I Solved (on page 23). That certainly sums up the Fellowship, but how does it also apply to life?
 
6. Though brilliantly skilled, Pippa says that in her younger years she always felt invisible. In what ways does establishing the Fellowship finally make her feel seen?
 
7. The puzzles, mazes, and brain games of the Fellowship aren’t just for enjoyment’s sake; they help, as Pippa says on page 31, to make “sense of the world around us.” How is that true of the word games you yourself indulge in for fun?  

8. On the one hand, Clayton is intrigued about following his mother’s clues toward the discovery of his past. That’s understandable. But do you also understand his apprehension?
 
9. Clayton, having been raised among people considerably older than him, dresses, feels, and acts older than he is. In what ways does he still have growing up to do? Other than his biological parenthood, what aspects of life has he yet to learn and discover?
 
10. Operating in a man’s world, Pippa took joy in confounding people’s expectations of her. When was the last time you confounded someone else’s expectations? How did it play out for you?
 
11. One of the reasons for the Fellowship partaking in puzzles is the pleasure of routine. What routines do you have in your life? What are the ones you’re unconscious of? Aware of? And those you can’t imagine living without?
 
12. Why do you think Clayton has difficulty in making human connections? In your own life, even in this reading group, are you eager to make new connections? Or do you tend to wait for someone else to do the connecting?

13. Clue words during Clayton’s quest include adventures, appearance, dared, anger, remorse, and anew. How did they apply to Clayton in his quest?

14. Ultimately, Pippa just wanted Clayton to find a zest for life. Why did she think he’d lost it? How did she help? In what ways did Clayton help himself on his journey of self-discovery?

15. In the end, Pippa wonders if there is one clear path to happiness or, as Earl the mazemaker puts it on page 321, it’s a matter of “moving forwards or backwards, sideways even.” How true is that of Pippa’s and Clayton’s journeys?

16. Before reading the novel, were you already a “gamer”? Or were the cryptograms, word games, crosswords, mazes, and brain teasers something new for you?

Suggested Reading

Other Recommended Novels
Miss Benson’s Beetle, Rachel Joyce
The Thursday Murder Club, Richard Osman
River Sing Me Home, Eleanor Shearer
A Single Thread, Tracy Chevalier
Lessons in Chemistry, Bonnie Garmus
The Book of Secrets, Elizabeth Joy Arnold
Aristotle and Dante Discover the Secrets of the Universe, Benjamin Alire Sáenz

Nonfiction for Further Reading
Why We Remember, Charan Ranganath, PhD
Attached, Amir Levine, M.D., and Rachel S. F. Heller, M.A.
The Charisma Myth, Olivia Fox Cabane
Who Do You Think You Are?, Michelle Brock
Incognito, David Eagleman

An e book bargain: The Bookbinder by Pip Williams

FIVE STARS *****

This absolutely gorgeous, WWI-set, historical fiction title is one to savor and read at a leisurely pace. At 448 pages in length, it is one that requires the reader’s time.

Oxford, England-right before war (WWI) breaks out. Two sisters (twins), Peggy and Maude, live on a narrowboat on a canal. They work at the Oxford University Press putting together the books that will one day be read. The job is tedious but, in compensation, Peggy takes home any books with faults, adding to an already large home library.

Maude has an undiagnosed condition that seems somewhat like what today would be called autism. She requires much supervision from Peggy as the story opens. Maude seems content to live in the moment while Peggy is aware of the academic life in Oxford and deeply wishes that she could be part of it.

Oxford-war has begun. A group of Belgian refugees come to work at the press; each has her own backstory. Much attention is given to Lotte, someone who bonds with Maude. Wounded soldiers also come to town and Peggy begins to read to them.

This is how the novel begins; it slowly entrances the reader who wants to spend time in this community and its wide range of characters. There are those who live on the water, those who work in publishing, Gwen (who has the life that Peggy seems to want), the Belgians and many others. Spending time with all of them is a wonderful experience.

Highly recommended to historical fiction readers. They will want to know how the lives of the characters unfold in friendship, family, work and love.

As an aside, those who are interested in how books were actually made in the days long before a digital world, will learn a great deal here. These details enhanced the reader’s ability to enter the characters’ worlds.

Note that the author has written one previous novel; readers may well want to look for that one as well.

Here is what Library Journal concluded in a starred review:

VERDICT Highly recommended for readers who enjoy historical fiction about strong women, like the works of Kate Quinn, Beatriz Williams, and Laura Willig.

Many thanks to NetGalley and Random House Publishing Group for this title. All opinions are my own.

From the Publisher

Their job is to bind the books, not read them.
“Poignant,” says Janet Skeslien Charles“A fresh, exciting new voice,” writes Paula McLain“Beautifully told,” says Ruth Hogan