Frank Bruni is a long term columnist with the New York Times and a writer who ably reflects what is going on in the world around him (and us). That is true here.
The cover of this book is quite evocative and points to how many are living now-instead of pouring oil on troubled waters, many seem to be reaching for the gasoline. Why so much grievance? Why so little understanding?
Bruni goes through many of these current grievances. A number of these will be familiar to readers who may have already formed their own opinions. Keep reading though because Bruni also has suggestions about how to do better. There are also suggested readings.
Note: those who regularly read Bruni’s columns may well find some familiar material here.
Many thanks to NetGalley and Avid Reader Press for this title. All opinions are my own.
Any adult who loves basketball may want to introduce a very young child to the legendary LeBron James. This cute board book offers one nice way to do just that. It is part of a series of Baby Biographies published by the Cider Mill Press (you can look for other titles).
The pictures in this book are vibrant and colorful and could appeal to a baby or toddler. The text may take a bit more growing up first, making this a book that may be picked up over a period of time.
Both adults and kids will learn a lot about LeBron here.
Many thanks to NetGalley and Cider Mill Press for this title. All opinions are my own.
A witty, cosy mystery packed with twists, turns and tea!
When her flamboyant and spirited half-sister, Frankie, returns to Little Clarsden to claim her share of Rose Cottage, left to them by their Aunt Lucy, she is met with a frosty reception from Julia, who still harbours an old grievance. In an attempt to mend their fractured relationship, the sisters attend a murder mystery weekend at the grand country house of the Medfield estate in the rolling hills of Somerset.
After the first evening’s supper, a “poisoned dart” “kills” one of the guests. In the classic whodunit style of a country house mystery, the game of tracking down the “killer” is afoot.
The playful intrigue takes a sinister turn when the sisters discover a real body hidden in a secret passage. When the body disappears before anyone else can see it, no one believes it ever existed.
As night falls, dark clouds are massing like a cloak of a thousand ravens. A fierce storm leaves the guests trapped in the mansion. With fallen trees and debris rendering the guest’s escape impossible, the killer strikes again. This time, everyone believes the sisters.
With the body count rising and two murders to solve, our sharp-witted, sleuthing sisters set aside their differences, determined to unravel the tangled clues of the murder mystery, track down the real killer, and uncover the truth.
Amid the glamour and intrigue of the other guests and the actors slipping in and out of character, it’s difficult to distinguish between fact and fiction. Nothing and no one is as they seem.
As the sisters get closer to the truth, someone wants them silenced—permanently. With laugh-out-loud banter, a hint of danger, and a twist even Agatha Christie would admire, can Julia and Frankie catch the culprit before the murder weekend becomes their last?
With witty and charming characters and a plot with more twists and turns than a country road, More Than Murder is a delightful blend of humour, mystery and the classic country house crime, perfect for fans of Richard Osman, M.C. Beaton and Benjamin Stevenson.
More Than Murder is the first book in this cosy crime series.
233 pages
My thoughts:
I generally enjoy traditional mysteries that are set in the English countryside. They can provide a welcome escape from day to day life. As a further inducement, this one features a murder mystery weekend at a grand estate. This allows for a variety of characters/suspects and an interesting plot. It also gives the protagonist, who is not enjoying her retirement, quite the focus.
The story features Julia (retired) and Frankie (Julia’s half sister); they have a few things to work out in their history. When the fictional mystery weekend begins to include real murders, will these two work together to solve a perplexing case?
Here is a story that has fun characters, some humor and twists, and a good plot. There are also Shakespeare quotes at the beginning of each chapter. I enjoyed this novel and look forward to others in the series.
Many thanks to Hannah Hargrave for an early copy of this title. All opinions are my own.
About the author:
Jayne Chard
Jayne started writing plays when she was eight and wrote her first “book” at fourteen. After graduating with a degree in psychology and drama, Jayne went on to win the Royal Shakespeare Company’s Buzz Goodbody’s Director Award. Whilst continuing to write, she started working as a professional theatre director , and two of her plays were performed at the London Fringe. Attracted to the small screen, Jayne became absorbed in TV drama directing. Now a multi-award-winning film and TV drama producer, her credits include the BBC flagship brand SILENT WITNESS. . In addition to a successful film and television career, Jayne was integral in setting up a veterinary clinic on the remote island of Koh Tao in Thailand. She has also worked as a radio presenter. Jayne lives in the West Country with her partner and two cuddly cockapoos. MORE THAN MURDER is Jayne’s debut novel and the first in this edgy, cosy crime series. .
This novel is certain to be one of the “big” novels of the fall. Its author Ann Patchett is well known for her thoughtful, literary style and moving story lines. The Dutch House will be welcomed by Patchett’s loyal readers and may well attract some new fans.
The book tells the story of siblings, Maeve and Danny, those around them and the home that resonates with them. The story moves back and forth in time as characters and their stories take center stage or temporarily recede.
This is a complex and sophisticated novel that makes readers think about relationships (parent/child, stepparent/child, husband/wife, siblings, step-siblings, those who work for families), finding a way in life, sacrifices and choices. Readers will not forget The Dutch House and those who lived there.
Many thanks to NetGalley and the publisher for this read in exchange for an honest review.
Other Reviews
“Patchett’s splendid novel is a thoughtful, compassionate exploration of obsession and forgiveness, what people acquire, keep, lose or give away, and what they leave behind.”— (Publishers Weekly (starred review))
“Like the many-windowed mansion at its center, this richly furnished novel gives brilliantly clear views into the lives it contains.” (Kirkus Reviews (starred review))
“Expect miracles when you read Ann Patchett’s fiction.” (New York Times Book Review)
“Patchett is a master storyteller.” (O, the Oprah Magazine)
I find it fascinating that one can learn about history in so many different ways. In this interesting title, history is looked at through the lens of twelve carpets from around the world. Readers learn about objects from the third or fourth century BCE, right up to the twentieth century here.
The carpets come from places including Anatolia, Iran, India, Pakistan, and Siberia. There are chieftains, Samurai, Tycoons and others to be found in these pages.
The author opens by writing about how her interest in carpets came about. She then, in a preface, lays out her thesis about rugs and power, noting that these objects were often made by the humble for the wealthy.
This book is written in an engaging style by a writer who knows her subject well. I like that her presence is in these pages when she writes in the first person at times. I admire how she brings history to life.
There is much to learn in these pages for the reader who is interested in this subject or for a reader who is looking on an interesting take on history.
Many thanks to NetGalley and St. Martin’s Press for this title. All opinions are my own.
This book has received lots of publicity and some excellent reviews. I would give it three stars. The story is clever and I especially loved how the novel within the novel was so authentic, with advanced praise and comments about being made into a television series. I did not find the story as engaging as I had hoped that I would, nor did I find the characters to be especially likeable. Give this a try though because I think I am in the minority in not rating MPM more highly.
Update:
I have gone on to enjoy the second in the series and am currently reading The Marble Hall Murders and enjoying it.
I am delighted to be on the blog tour for Romantic Friction. It is one of the many summer reads to explore from this publisher.
Many thanks to the team at HTP for this opportunity.
The cover:
About the book:
Relatable characters, sharp writing, and emotional turbulence will make you laugh and cry.” —Sally Hepworth, New York Times bestselling author of Darling Girls
Sofie Wilde’s bestselling fantasy romance series has been breaking bestseller records and readers’ hearts for years. She’s primed to become a worldwide phenomenon as the tenth and final book is set to debut after the annual romance readers convention takes place in Chicago next week. As buzz continues to build toward the book’s release, Sofie is asked to headline the event for the first time, a career milestone. One she won’t let anyone take from her, especially “the next Sofie Wilde.”
That’s what they’re calling her—Hartley West, the self-published debut author who writes in the style of Sofie Wilde. Except she doesn’t actually “write” anything. After Hartley admits to using AI to create her novel, Sofie’s ready to watch Hartley be skewered on social media. Except in this unpredictable world, Hartley is instead lauded for being innovative, for being such a skilled editor to take what the AI churned out and massage it into a story that’s just as compelling as Sofie’s—maybe even more so.
After her unhinged rant unintentionally goes viral, Sofie loses her keynote, and she’s starting to lose all her support. That loss is Hartley’s gain—as her book sales start soaring, she’s given the headliner spot. Sofie is livid. And she’s not the only one. As the convention begins, Sofie is surrounded by fellow authors who also fear for their futures, their livelihoods, their art being stripped away, one AI prompt at a time. Something must be done. This has to be stopped. Now. With the clock ticking down to the keynote, Sofie enlists her fellow authors in a plan to stop Hartley, vowing, “‘The next Sofie Wilde’—over my dead body. Or hers.”
Lori Gold has crafted a raucous romp through the world of publishing, asking what it really means to be a writer in the time of AI, perfect for fans of Finlay Donovan is Killing It and Emily Henry.
Start reading:
ABOUT THE AUTHOR
It’s a commonly held belief that in order to be a good author you have to be drunk or tortured. To be a great author? Both. I am a great author. I am occasionally drunk (though not at present). But I am not prone to sprawled-on-the-bathroom-floor bawling. I have not, nor will I ever, utter the phrase: “Please don’t make me adult today.” And I am not the least bit disturbed by crawling into a king-size bed alone.
All that’s to say, I am not, nor have I ever been, tortured.
But there truly is a first time for everything.
The bookstore buzzes like an active hive. Beyond these rolling partitions masquerading as shelves, cushioned folding chairs cradle bums of all shapes and sizes and stages of cellulite. They are here for me. As I am here for them. This is my hometown. And this is the bookstore in my hometown that Jocelyn and Torrence and Callum and little Vance built, word by word, page by page, chapter by chapter, book by book. That I share with no one.
I am not a charity.
My coattails are not for riding.
Tell that to Lacey, my publicist for the last ten years. I already did. Multiple times and with only one expletive. (Which honestly is the definition of restraint.) And yet, I am here. Because Blaire, my agent with a heart mushier than a ripe peach, intervened on Lacey’s behalf and asked me to be.
Listen, that this industry is harder to navigate than Gen Z slang is not lost on me. I’m not completely averse to the idea of paying it forward, even though when I was starting out no one gave me so much as a linty nickel. But you can be damn sure that if a bestselling author who helped to define my genre had invited me (via said publicist) to a bookstore’s celebration of their blockbuster series, I’d have been on time.
Not late. By twenty minutes—and counting.
I reach for the partition cordoning off this back room, my rose gold bangles clattering as I wiggle free a chapter book—a tale about monsters hiding in school cubbies that must be the bane of every kindergarten teacher’s existence. A ghost of a smile plays on my lips, affection for my kindred spirit of an author who came up with this. I set the book aside and peek through the slim gap.
Heart-shaped helium balloons kiss the ceiling, “library” candles that smell of old books and lavender flicker on the windowsills, and my favorite cushioned armchair beckons from behind my usual signing table, an old desk with legs fashioned out of stacked books. Hanging above the register is a poster of the first nine titles in this series I nearly gave a kidney to make happen (don’t ask).
The dozens who have traveled from as close as Boston and as far as Iowa wait with more patience than me alongside half the residents of this small seaside town.
With so many bodies, the room temperature rises. The air turns electric. And I come alive. I wriggle my head out of my introverted shell and gorge myself on the energy of the crowd. I’m no longer a little girl with debilitating stage fright, convincing my teachers I’d been bitten by a squirrel or had a seven-foot-long tapeworm in my belly to get out of an oral report. Turns out I’ve always been good at lying.
Lies, fibs, fabrications, tall tales. That’s all writing is, really, being good at making things up, convincing others that a little boy with freckled cheeks and a mop of carrot-colored hair can bend universes in one breath and giggle at fart jokes in the next. Ah, little Vance—everyone’s favorite character. Which is why he had to die. My socials will be flooded with heartbreak emoji and death threats when fans get their hands on this last book.
My god, do I love my job.
“Sofie, our little Sofie.”
I would take these words as a slight, given my five-footstature, if they weren’t coming from a woman slipping behind the partition with arms outstretched, a half dozen tiny pencils poking out of her salt-and-pepper bun, and a “Roxanne (as in Bel Canto!)” name tag on her ample left breast (the right is ample too, but there’s just the one name tag).
“Sofie Wilde, the hero of the harbor.” Roxanne repeats the same refrain each time I enter this store, be it through the back for an event like today or the spontaneous (read: alwaysstaged) drop-ins through the front to “casually” browse and be photographed with some new release Roxanne’s exuberance and penchant for underdogs caused her to overbuy. She posts them on the store’s Instagram. Knowing this, some of the younger authors, freed from the decorum handcuffs of my generation, have been bold enough to send extra copies of their books to the store. The feed for Harbor Books is the only place you’ll see me posing with a novel that isn’t mine. It’s my rule. Roxanne, somehow, over all these years, remains the exception.
“Tell me,” Roxanne says, wiggling her phone and pressing the side button to shut it down. “And not even Instagram will hear. Will Vance be able to restore the cosmic balance in time for Jocelyn to choose Torrence? Because she will, naturally. It must be Torrence.”
My face remains hard as steel.
“Sofie,” Roxanne coaxes. “It’s me. We did this together. We built this store as a team. This is ours.”
Roxanne also has a penchant for hyperbole. Still, these days, my fantasy romance series—what this Gen Z, grammar-phobic world now calls “romantasy”—is a New York Times bestseller, and I have more than half a million followers on social media. But fifteen years ago, I was a thirty-five-year-old woman with mousy brown hair, clear plastic-framed eyeglasses, and self-made bookmarks rolled off my laser printer in need of a yellow cartridge. A self-published author without the financial means to promote myself. That’s when I met Roxanne.
When I walked through the door of Harbor Books with my sack of sad-looking bookmarks and shoddily glued-together manuscripts, Roxanne didn’t even wait for me to finish my plea to support a local author. She was already slapping price stickers on the back and arranging them in a three-foot-tall window display. Hers was the first store to stock my books. She was the first bookstore owner to host an event with me. In return, I’ve held every launch party here, and Harbor Books is the only store where readers can preorder signed copies with one-of-akind swag. Whenever I have my last launch (a very, very, very long time from now), it’ll be here.
Roxanne bats her eyelashes. “I can better serve you and the book if I know how to respond to customer inquiries.” She gives me that syrupy smile we both know is exaggerated. “Truly, there were no advance reader copies printed? Not even for Jenna? Reese?”
“Not a one,” I say, firmly, though of course there were. Stripped of the cover with confidential and sharing prohibited upon penalty of death written across the front (though, as I think about it, no one ever confirmed the use of that perfectly reasonable suggestion).
A small number of advance reader copies are always necessary in this industry that relies on prepublication buzz to anoint its bestsellers, and my publisher plays the game well, distributing copies to high-profile outlets for review. I could have secured one for Roxanne, but Vance’s death is the surprise of the series and she’s terrible at keeping secrets. A photo of her still hangs on the wall of shame at the single-screen movie theater across the street for telling everyone that Bruce Willis’s character in The Sixth Sense is actually dead. (Ooh, did I just pull a Roxanne? Whoops.)
A ding announces the opening of the front door. Roxanne peers around the partition to confirm it’s her.
“Break a spine!” Roxanne says, whooshing out.
Instead of following, I pause to peer through that tiny gap on the bookshelf.
My “invited” guest, the author who will ask me a few questions and then moderate ones from the crowd, hovers at the front of the store, seemingly unsure, eyes scanning the room. Silver hair past her shoulders, flowy cotton skirt, well-worn canvas tote bulging with what can only be useless buttons and cheap pens and glitter tattoos she paid for herself. She has no marketing budget for swag or anything else. She’s only here because of me.
No one had heard of Hartley West until a month ago. As happens (usually thanks to a hefty Venmo transfer), an influencer “discovered” Hartley’s self-published debut, Love and Lawlessness. That influencer gushed about it and set off a trend among her fellow movers and shakers—leaders of the “next wave” of how books are found, the whole cadre featured in an article in The New York Times. Like a snowball, more and more readers “found” and recommended Hartley’s book. Said it reminded them of me.
The next Sofie Wilde. That’s what they’re calling her. Over my dead body.
“Ms. Wilde?”
I turn.
“Are we missing anything?”
The bookstore employee—Amy (just like in Little Women!) according to her name tag—lifts a large wooden tray as if making an offering to the gods. On it are three black Sharpies with an ultra-fine tip, a pad of sticky notes (blue), six peppermint-flavored lozenges, two glasses of water, no ice, and a bottle of hand sanitizer disguised as hand lotion.
I’m not a diva. (Despite how it sounds.) I’ve simply paid my dues. I’ve earned the right to be here, to be doing this, and I want to do it well.
“It’s perfect, Amy,” I say just as on the other side of this partition, chair legs scratch against the floor.
I return to my peekaboo window. Hartley West has circled the table. She drops her bag on the seat of the armchair. The single armchair. The chair that is mine. She puts her back to the room. Her eyes are closed. Her hand presses against her breastbone, and I wonder if this is her very first event. I’m positive it’s her very first event like this. I remember the feeling. And by feeling I mean fear. Maybe that’s why she was late. I feel a momentary surge of empathy toward her, understanding what it was like to be just starting out, to be hoping and praying to all the gods and no particular god (to cover all the bases) for the doors of publishing to open even the tiniest crack.
I watch Hartley’s chest inflate and deflate, and suddenly I feel like I’m intruding. I lower my gaze, but I can still hear her on the other side, the faint mumbling as she repeats her pitch one final time. Rehearsing the quippy soundbite that we authors spend more time writing than the actual book. We are actors without training. Performers without a safety net. We are thrust into the spotlight despite our desire to avoid it being what led most of our introverted selves to become writers in the first place. When we stand before a crowd, be it one or one thousand, we must be witty and wise.
I am.
Is “the next Sofie Wilde”?
Honestly, what is that? Is it supposed to be a compliment? Me being replaced? Isn’t that called a coup?
Flump.
Flump, flump, flump, flump.
I resume my spying. Hartley West is plopping stacks of bookmarks on the table beside a two-foot-tall tower of books that she must have pulled from her Mary Poppins tote.
She then reaches into that bag and draws out a single sheet of paper. I watch as she carefully folds it in two. Printed on the front, in big blocky aquamarine letters, is her name and underneath: CO-PANELIST.
I text Lacey: Hartley West, what did you say to her?
Lacey: She’s late, I know. Roxanne’s been hounding me.
Me: She’s here. With a “co-panelist” name card.
Lacey: WTF?
Me: My thoughts exactly.
Lacey: Looping in Blaire.
But Blaire wouldn’t overstep. She may have a heart that bleeds so much she needs daily transfusions, but she defers to Lacey on all things publicity related. Lacey started as my in-house publicist, working for a publisher where she had more authors to handle than romance authors have euphemisms for penis. Lacey hung out her own shingle after helping me hit the New York Times bestseller list with book four, and I became her first client.
Blaire: It must be a misunderstanding.
Lacey: Damn straight, because if you look up the definition of limelight, you will see Sofie right here and now. Not Sofie and Hartley West. She came out of nowhere at the pinnacle of Sofie’s career. Sofie cannot validate this flash in the pan at her own event.
Sofie: Isn’t that what I said to you? Right before you hit “click” on the posts promoting this entirely predictable debacle?
Lacey: I’ll fix it.
Lacey could talk a lobster into a pot of water—then get it to use its own claw to turn up the heat.
And yet . . . in exchange for a blurb, I once offered to donate a kidney to a bestselling author on dialysis (I said not to ask). I had to fight for every reader at the start.
Just like “the next Sofie Wilde.”
And if karma exists, I need it on my side. Today marks the beginning of the end for Jocelyn and Torrence and Callum and little Vance. I mourn them. A part of me always will. They’ve rented space in my head for more than ten years. I know what they eat for breakfast and what they’d wear to a funeral and the fears that paralyze them. Things I barely know about myself. But it’s time to let them go, and along with them, shifting universes and alternate dimensions and three-headed beasts. At least for a little while. I’m not leaving romance behind—I may have my flaws, but self-sabotage is not one of them. But the idea of penning a meet-cute that doesn’t involve fantastical elements like a talking dolphin or a sidekick with yellow feathers makes me all warm and fuzzy (though honestly, that could also be the hot flashes).
Lori Gold is the author of four novels for young adults as well as an adult historical novel (all under Lori Goldstein). She teaches creative writing at Grub Street in Boston and lives on the South Shore of Massachusetts. She can be found online at http://www.lorigoldsteinbooks.com
Natalie Jenner clearly loves Jane Austen’s works. This title, along with The Jane Austen Society, make that abundantly clear.
This year marks the 250th anniversary of Austen’s birth so it is an auspicious time for the publication of Austen at Sea with one of its characters being Austen’s brother Francis and another his daughter, Fanny.
The story opens in the 1860s in America. Two sisters, nicknamed Harry and Charlie, live with their father, a state justice; their mother is deceased. Harry and Charlie want more independence than is easily on offer. They definitely challenge the powers that be.
Harry and Charlie’s father loves Austen fiction as did their mother and as do they. He even has a book club with other justices in which they discuss Austen’s works (see the opening scene of the novel).
The conceit of the book is that Harry and Charlie reach out to Admiral Austen who invites them and two brothers from Philadelphia to visit him in Portsmouth. At 91, the Admiral is thinking about his sister’s legacy and ephemera. While the two young women are fans, the young men, in addition, own a bookshop, and have an American first edition of Emma.
The Admiral thinks that it will be fun to put these four together. He has dreams of romance (is this like in Emma when she play matchmaker?) hoping that he is forming two couples. Read the book to see what happens in this regard as well as with the Austen memorabilia .
These four and others, including Louisa May Alcott, share a passage to England. It was enjoyable to see Alcott (and her love of Dickens) in these pages.
I very much enjoyed this novel. It offered me a lovely escape. The pace, characterizations and story all kept my attention.
Highly recommended to those who love Austen and/or historical fiction.
Note that reading the author’s afterword will clearly show a reader how much Austen means to her. I hope that Jenner’s Austen themed novels will continue.
Many thanks to NetGalley and St. Martin’s Press for this title. All opinions are my own.
Pub date: 06 May 2025
A note on the audio book:
The narrator (male) gave life to the story and its characters. I enjoyed going back and forth between the text and audio versions and was sorry to come to the end. Those who are looking for a good listen of a good book, cannot go wrong with this audio book.
As soon as I saw the title of this book, I wanted to read it. The magic word, of course, was bookshop. I also found the cover to be very appealing. So, I initially judged this one by its cover. That said, I wasn’t’ disappointed.
This novel’s protagonist, Grace, is a young woman who recently lost her mother. Along with her best friend, Viv, she moves to London to stay with a family friend. The two arrive only to have war declared not long after. Viv enters one of the women’s units while Grace remains with her mother’s friend. She takes a position in a bookshop and the shop is also a character in the book.
This story points out the importance of literature. In a lovely scene, Grace goes underground during a bombing raid where she begins reading Middlemarch to those who are stuck in the shelter over night. Those stuck there look forward to additional chapters when the next call to go underground comes.
Grace organized the bookshop and develops a relationship with its curmudgeonly owner. She studies way to make the shop successful and, for example, advertises buying books to read while unable to sleep in one’s beds due to the bombings.
The author does a good job of portraying wartime Britain. There are losses of people, property, usual foods, a way of life. There are also the joys of friendship, love, books and connection.
There are so many WWII set novels being written now. My theory is that, awful as the war was, it is more reassuring to look back at that time than our current one. For all of the suffering, the reader knows that eventually Britain will declare victory.
I think that this title is worth reading. Let me know what you think!
Many thanks to NetGalley and the publisher for this title. All opinions are my own.
This book has received lots of publicity and some excellent reviews. I would give it three stars. The story is clever and I especially loved how the novel within the novel was so authentic, with advanced praise and comments about being made into a television series. I did not find the story as engaging as I had hoped that I would, nor did I find the characters to be especially likeable. Give this a try though because I think I am in the minority in not rating MPM more highly.
Joyce's mystery and fiction book reviews with some non-fiction too! 