The Narrowboat Summer Blog Tour

I have reviewed this title. My review can be found in my archive.

Many thanks to the publisher for the opportunity to be part of the blog tour for this wonderful title. Below is an excerpt from the novel and some biographical information about the author.

Happy reading!

The Narrowboat Summer

THE NARROWBOAT SUMMER

By Anne Youngson

Chapter 1: The Number One

ON THE TOWPATH OF a canal in a town not far from London, not far from the coast, is moored a narrowboat painted dark blue with the name Number One picked out in red lettering on the prow. It is tethered tightly to the bank with ropes made wet by the rain and slimy with age, wrapped around pegs bent out of shape by the misaimed blows of a lump hammer. It is still in the water. At either end the doors are fast shut and the windows along the side are latched. On the roof is a skylight, cantilevered up to let the fresh air into the cabin below. Puddles of water on the deck and roof show that it has been raining, but at this moment it is not.

There are two people on the towpath, walking toward each other. One is a tall, relatively plump woman: that is to say, around half the number of women in her age group—she has gone some distance past fifty—would be slimmer and shorter than she is, but she is not so tall or so plump as to be remarkable. In one hand she has an orange carrier bag and on her feet a pair of bright silver running shoes; these might not be out of place on a towpath but are out of place with her black wool skirt and tailored blouse. Her hair is wrapped up in a largely colorless scarf, apparently once purple.

The woman approaching her is shorter and more slender. She is carrying an umbrella in a color often called fuchsia, though fuchsias come in a range of colors. She is holding it at her side—not needing its protection at the moment—but open, as if anxious about the time it would take to bring it into use if she should suddenly need it. Her hair is carefully styled and her clothes might have been carefully chosen to be unremarkable. If so, the choice was successful.

As they approach the moored boat, the sun inserts a finger of light between the clouds and it is all at once a lovely day, at that moment, on that towpath. At almost the same instant, when the two women are close enough to each other for a nod and a smile of greeting, if either or both of them thought that was appropriate—they are complete strangers, so it seems unlikely—at that precise moment, the narrowboat begins to howl. It howls as if it were a mezzo-soprano in mid-aria spotting her husband committing adultery in the stalls while being impaled from behind by a careless spear carrier. Both women stop walking.

* * *

EVE’S HANDS WERE FULL OF the debris of a career of more than thirty years. She kicked aside the Strategic Five Year Plan, folded and wedging the door open, to let it shut behind her. What she was carrying now were items so small and insignificant she had overlooked them when she had made a pile of things definitively hers: the books, pen set, files of personal information that could not be claimed as property of the Rambusch Corporation. These had been placed into a cardboard box supplied by the management. The packing had been not so much overseen as attended by Clive, a representative (ironically, because neither word could accurately be applied to him) of the Human Resources department. He stood beside her, rumbling idly like a vacuum cleaner (which he closely resembled) switched on and ready to suck if anything misplaced came within reach of his hose. That had been the day before, the penultimate day. Now, on the last day, she stood in the corridor holding things so odd and familiar they had been invisible. The plastic frog stuck to the side of her computer monitor; the postcard of a building in New York pinned to the cork board; a calendar from an overseas charity with six more pictures of starving children still to come; a mug with a picture of a hedgehog on top of a scrubbing brush and a brown deposit welded to the bottom; a letter opener with what looked like teeth marks in its bamboo handle; a purple scarf that had been tied to the handle of a filing cabinet for so long it had faded along its exposed length and only revealed its original, shocking depth of color on the inside of the knot; a photograph of a team-building exercise, the participants all in hard yellow hats standing under a cliff holding up ropes in triumph, though whether after or in anticipation of an ascent or descent she could not remember. She nearly dropped this in the bin, already full of discarded good-luck cards, but closer scrutiny revealed that no one in the picture was recognizable as an individual—though she could pick herself out as the only woman in the group—so she used it as a tray on which to pile the rest of the rubbish.

The door shut with a hiss from its automatic closure system. The nameplate—Eve Warburton: Planning—swung toward her, stopping inches from her nose. Had she had a hand free, she might have defaced it in some way, but in the circumstances she just leaned forward and gave it a kiss.

“Goodbye, Eve Warburton, Planning,” she whispered. “Nice to have known you.”

First the scarf then the frog then the letter opener fell from her stack on the way to the lift. She recovered them all and stopped in the lobby to ask the receptionist for a carrier bag. The receptionist went to look in a cubicle in the wall behind her desk. Eve put her pile down on the counter and watched the oil circulating in the installation designed to impress the visitor with the technical brilliance of the Rambusch Corporation’s engineering and manufacturing capability, its mastery of pumps, pistons and valves. Her eye caught the plastic sign on it which read:

Constructed from Production Parts

Eve took up the letter opener and levered this off. One final souvenir. She pushed it down the front of her skirt.

The girl returned with a disposable carrier bag from the local sandwich outlet.

“It’s all I can find.”

“It will do,” said Eve. It was hard to stop the pilfered notice sliding out as she loaded a carrier bag with small, odd-shaped items, until the receptionist, interpreting her clumsiness as evidence of emotional turmoil, did the job for her.

“I’m, you know, sorry you’re leaving,” she said.

“It was time to move on.”

“I thought of you, having to work with all those men on the top floor. I mean, no one to have a gossip with and that.”

“They didn’t have much of a feminine side, by and large,” said Eve.

“Oh, I know!” The receptionist came out from behind her barrier with the filled bag. Eve was afraid she might be about to offer a hug, in compensation for Eve’s fall from the masculine heights of the fourth floor to mere womanhood.

“Luckily for me, I’m on the masculine side of the feminine spectrum,” she said.

She turned left out of the building, toward where her car would normally be parked—indeed, where it was parked—but even as her hand reached into her pocket for the keys, she remembered it was no longer hers. Company property. She could call a taxi or catch a bus or walk. She had no intention of going back inside the building for the rest of her life, and this ruled out a taxi because the number of the local firm was in her surrendered company mobile. It was raining, but she did not want to hesitate in full view of the receptionist, so she began to walk. It was a long way, in kitten heels, from the Rambusch premises to the edge of the industrial estate. It was a fairly hefty hike up a hill to the first bus stop on the main road. The notice filched from the lobby display impeded her stride, so she took it out and thought about lobbing it over a hedge but on second thought put it in the carrier bag. The rain falling on her head slid in large drops down her perfectly conditioned hair into the top of her blouse, into her ears and her mouth. She took out the faded scarf and tied it over her head. She felt like a bag lady; she rather hoped she looked like a bag lady. It could be a new career.

When she reached the first bus stop she leaned against it, resting her feet until a bus arrived and she bought a ticket into town. Once there, she went into a bookshop and found an Ordnance Survey map of the area showing all the paths and alleyways so that she could plot a route back to her flat on foot, avoiding the main roads she normally drove down. She went next door to a shoe shop and bought a pair of running shoes. These were handed over in a brilliantly orange and substantial carrier bag, big enough to take all her belongings from the office, the kitten heels and the notice. From the map, she found that the quickest way home was to start down the towpath. Just as the rain was stopping, she set off.

Walking toward her was a woman her own age. Between them was a dark-blue narrowboat, apparently deserted. The name painted in red lettering on the prow was Number One.

* * *

ON THE WALK TO THE hairdresser it began to rain, which was something Sally had not foreseen. Raindrops, she reflected, were falling on her head, although the song was entirely inappropriate in her current circumstances.

“My word,” said the hairdresser as Sally dripped on the mat. “You didn’t come prepared.”

Sally had known Lynne for over twenty years. Twenty years of a relationship conducted in reflection, meeting each other’s eyes in the mirror. They had talked about everything in that time. They had exchanged information about children, holidays, kitchen appliances and plumbers. They had shared opinions about soap operas, brands of ice cream, chewing gum and British Summer Time. They had discussed renewable energy, interest rates, the Middle East and mobile phones. It was always a shock to her to stand up—after she had been shown a glimpse of the back of her head and had the cut hair brushed from her shoulders, the nylon coverall whisked away—to find that she was taller than Lynne. How could someone who had filled the mirror so emphatically for half an hour or more be so dumpy an individual in the real world? She only came to this part of the town to visit the Kut Above, and had never seen Lynne in the street. She sometimes wondered if she would recognize her if she came across her queuing for a prescription in Boots. And yet, she thought of Lynne as her friend, and had done so ever since the day she had said she would rather be called Sally than Mrs. Allsop, and Lynne had agreed.

Sally had something to say on this visit; with Lynne’s face in the mirror to frame the story, she could say it and, in saying it, fix it.

Lynne combed Sally’s wet hair, persuading it into a smooth and elegant shape unlike its usual wispy incoherence.

“Just tidied up a bit?” she said, as she always did.

“I wondered about highlights,” said Sally. “Not today, of course. Next time, maybe.”

Lynne said it would be a fiddly process. “And I’m not sure what color you’d use. Your hair’s so fair, and so fine, it would be hard to find a color that was a strong enough contrast, without going completely over the top.”

“Pink,” said Sally. “Or turquoise.”

“Of course, but you wouldn’t want that. We could get away with a nutty brown, if you’re set on the idea.”

“But I do want pink or turquoise, I haven’t made up my mind which.”

“Well,” said Lynne. “What’s brought this on?”

“New beginning,” said Sally. “Fresh start. My new career as a single person.” The scissors and comb became quite still. Lynne was staring at her in the mirror. “I told my husband last night that our marriage is over. There is no reason why anything, from this moment forward, should be as it has been up to now.”

“I’m so sorry,” whispered Lynne. “Do you want to talk about it, or is it too painful?”

“I’m not at all sorry and I don’t mind talking about it, but it’s the future I’m more excited about.”

“It must be difficult after twenty-five years? I mean, you didn’t seem unhappy. Maybe I’ve had it wrong all this time, but I really thought the two of you were close. Did he…? I mean, you know … After all, men—”

“Duncan is entirely blameless,” said Sally.

Lynne remained still; almost rigid.

“But you must have, well, emotional issues?”

“The only emotion I feel is relief,” Sally said. “And that isn’t an issue.”

“But why?” said Lynne. “There must be a reason?”

“I was bored.”

Lynne’s face, as she brought the scissors and comb back into play with something close to aggression, was becoming quite red, and it was possible she looked cross though Sally had no way of knowing what she looked like when cross, because they had always tended to agree with each other. Sally saw that Lynne, far from admiring her resilience and self-determination, wanted her to be in need of sympathy—as a victim or as the guilty party racked with guilt. She had not foreseen this, and she considered the narrative Lynne was hearing. She was leaving her husband; she had not been abused; she had not been rejected; she did not feel guilty. Yes.

“You obviously don’t approve,” she said.

Lynne clamped her lips together and kept her eyes on Sally’s head, cutting Sally’s hair as if there was a looming deadline after which it would set solid.

“No, I don’t, but of course I don’t know anything about it. I just know that being married isn’t easy and it’s up to us all to work at it and not just throw up our hands and walk away as if it never mattered in the first place.”

“On the other hand,” said Sally, “it’s sometimes harder to endure the everyday than it is to cope with a big trauma.”

“If you say so.”

“I think I’ll have my gap year now,” said Sally. “Twelve months of doing something I wouldn’t normally and probably won’t ever do again.”

“Like what?”

“I haven’t decided. I expect something will turn up.”

It was still raining when she left the Kut Above. She stepped into a corner shop and bought a folding umbrella in a shade of pink she thought might be an exact match for the highlights she was imagining. She would be going somewhere else to have them done. After all, was it not important to change every aspect of her routines? How else would she be able to identify those hooks and burrs and combinations that held her, like the flag on a flagpole, free to flap about but not free to drift or soar.

The umbrella was less easy to manipulate than the label had promised it would be, but it kept the rain off her hair, which had the bounce and body only Lynne had ever been able to give it. The rain stopped as she crossed the canal bridge and, on an impulse, she took the steps down to the towpath. It was possible to walk most of the way home by this route, but she rarely did. It was muddy; there were no shops; the people who lived in the boats moored alongside had more than the average householder in the way of untrustworthy dogs, dubious houseplants, bare feet and rusty bicycles. It being an unusual route for her was one good reason to set off down it today. Another was that it was longer. It would delay her return to the house. She had told him she was going because she wanted peace; she wanted silence and the chance to think. But the silence consequent on announcing that decision was surprisingly hard to bear. And she could not decide where, exactly, she wanted to go.

So she took the long way back, along the towpath, walking slowly and, because she no longer needed it, swinging the pink umbrella by its strap. Walking toward her was a woman her own age. Between them was a dark-blue narrowboat, apparently deserted. The name painted in red lettering on the prow was Number One.

EXCERPTED FROM THE NARROWBOAT SUMMER. COPYRIGHT © 2021 BY ANNE YOUNGSON. EXCERPTED BY PERMISSION OF FLATIRON BOOKS, A DIVISION OF MACMILLAN PUBLISHERS. NO PART OF THIS EXCERPT MAY BE REPRODUCED OR REPRINTED WITHOUT PERMISSION IN WRITING FROM THE PUBLISHER.

Anne Youngson worked for many years in senior management in the car industry before embarking on a creative career as a writer. She has supported many charities in governance roles, including Chair of the Writers in Prison Network, which provided residencies in prisons for writers. She lives in Oxfordshire and is married with two children and three grandchildren to date. Meet Me at the Museum, her debut, was short-listed for the Costa First Novel Award and has been published around the world.

The 1662 Book of Common Prayer

International Edition

by Samuel L. Bray and Drew N. Keane (editors)

#The1662BookofCommonPrayer #NetGalley

Pub Date 02 Mar 2021   

The Book of Common Prayer is one of the most well-known resources for Anglicans and Episcopalians around the world. The title is a gently updated and revised edition that is more reflective of our current times. Those who regularly refer to this book and those who want to become acquainted with it will find much to admire here.

Many thanks to NetGalley and the publisher for this title. All opinions are my own.

Relax and enjoy: Artistic Places

by Susie Hodge

#ArtisticPlaces #NetGalley

Pub Date 16 Mar 2021

What a lovely title for armchair travelers who enjoy art. In this book, visit London with Whistler; Suffolk with Constable; St Ives with Barbara Hepworth; Guernica with Picasso; Giverny with Monet; Brussels with Magritte,; Florence with Michelangelo, Oslo with Munch; Polynesia with Gauguin; New York with Basquiat and more.

This title begins with an informative introduction on artists, the places that had meaning to them and the ways in which those places were interpreted in their art. Following this the sketches begin. Each is accompanied by an illustration; this is not a reproduction of the artist’s work but rather a rendition of the place by the book’s author. Each essay gives information about both the place over time and the artist. Readers may then well be inspired to look up the specific art works mentioned.

This is not a scholarly tome but a pleasant diversion. It offers a chance to contemplate places and art from one’s home and to enjoy spending time with artists both already loved and those new to the reader.

Many thanks to NetGalley and the publisher for this title. All opinions are my own.

Would you have liked to stay there?The Barbizon

The Hotel That Set Women Free

by Paulina Bren

There was a time when young women moving to New York City spent their first weeks (or longer) at the Barbizon Hotel. The guests were both famous and not. All were looking for a place that a female could safely and uncontroversially stay. Everyone from Grace Kelly to Sylvia Plath spent time there, beginning after WWI. The building is still there but, of course, is no longer the same.

It was a place of rules. For example, no men were allowed upstairs. But, even so, it offered a welcome sense of freedom to its residents.

Those who are interested in the social history, the roles of women and the city of New York will find that this title is interesting and informative. It is also somewhat nostalgic and, for that reason, may give readers a pleasant escape.

Many thanks to NetGalley and the publisher for this title. All opinions are my own.

Now out:

Artists in Residence

Seventeen Artists and Their Living Spaces, from Giverny to Casa Azul

by Melissa Wyse, Illustrated by Kate Lewis

Who are they? Where did they live? Artists in Residence

by joycesmysteryandfictionbookreviews

MY EARLIER REVIEW

Seventeen Artists and Their Living Spaces, from Giverny to Casa Azul

by Melissa Wyse, Illustrated by Kate Lewis

#ArtistsinResidence #NetGalley

Artists in Residence is the result of the serendipitous meetings between author Melissa Wyse and artist Kate Lewis. Readers learn about how their paths crossed in the book’s introduction.

Together the two put together this title with MW writing beautifully insightful essays about the artists and Kate painting scenes reminiscent of their homes. Included are artists whom I knew well including Georgia O’Keeffe, Vanessa Bell & Duncan Grant, Claude Monet, Frida Kahlo & Diego River, Lee Krasner & Jackson Pollock and others with whom I am newly acquainted as, for example, .Hassan Jajjaj, Clementine Hunter, Donald Judd. (I have not listed all seventeen here). There is an alchemy between text and visual that works.

This collaboration will be welcomed by art lovers and armchair travelers alike. I know that I enjoyed my time in these homes and with these insights.

Many thanks to NetGalley and the publisher for this title. All opinions are my own.

They can talk!

Great Women’s Speeches

Empowering Voices that Engage and Inspire

by Anna Russell

#GreatWomensSpeeches #NetGalley

This is a book to dip into, to savor and to save. It will give girls and women a wonderful sense of what female speakers have talked about over the centuries. This title begins with a speech by Elizabeth I and ends with one given by Maya Lin. In between are many voices and authors with which readers are familiar and others that are new. To name just a few of those included: Sojourner Truth, Mary Church Terrell, Nellie MCClung, Nancy Astor, Eleanor Roosevelt, Hilary Clinton, Angela Merkel, and Emma Watson. I will want a hard copy of this title when it is issued as it is a book to return to time and again.

Many thanks to NetGalley and the publisher. All opinions are my own.

What will be found: The Searcher by Tana French

The Searcher: A Novel

The Searcher is a standalone novel by Tana French who has also written the marvelous Dublin murder series. Start at the beginning with In the Woods and come up for air when you get to the end.

The Searcher is a brooding novel with a strong sense of place and character. French, herself, has described it as being a Western, but one set in Ireland. I think that this is because of the concept of the stranger coming to town. Cal is that stranger. He is a divorced policeman from Chicago who thinks that the will find a simpler and more satisfying life in the small Irish town where he fixes up his house and gets to know the locals. His existence is upended by Trey, a thirteen year old who wants to know what happened to brother, Brendan. Cal gets involved in what is a sad and somewhat dark story.

Many of the characters in this novel are well portrayed, from Cal’s neighbor Mart to the busybody who runs the local store to Lena (and her dogs) and, most especially Trey, a fully realized, scrappy, vulnerable. teen. Other town people blended together a bit for me.

Will Trey find out what Trey wants/needs to know? What will it mean if/when Trey does? These are some of the questions of the novel.

At times, I could imagine this novel as a tv show because the places were so well described. At other times, the sense of menace could very much be felt. The relationship between Trey and Cal was nuanced and is a critical part of the story.

I still prefer the Dublin murder series but truly admire what French has accomplished in this book. Give it a try!

An e book bargain for February 3, 2021

A strong debut novel: The Widows by Jess Montgomery

by joycesmysteryandfictionbookreviews

MY EARLIER REVIEW:

I’ve been thinking about how to best write about this book by first time author Jess Montgomery. First time author! Wow, Ms. Montgomery writes like an experienced novelist as she effectively creates a place, characters and narrative tension. She has written what I consider to be a truly excellent debut novel.

The Widows are Lily and Marvena, each of whom has children, has lost a husband and is trying not to lose her way. Life in Bronwyn County, Ohio for them and those they love, following WWI is full of hardship. Coal is king and a harsh master. Poverty and company scrip rule many lives.

In this world, Marvena and her common law husband John have worked to organize the miners. This is a freighted and difficult task given the strong arm tactics of the mine owners. Pinkertons are brought in to quell resistance. Other outsiders try to dominate illegal moonshine businesses.

On the surface, Lily’s life looks better. She is married to Sheriff Daniel Ross, a former boxer and half brother to the mine owner. However, early in the novel, Daniel is killed. The circumstances surrounding his death are a central mystery in the novel.

Both Marvena and Lily have relationship history with Daniel. Each realizes that she did not fully know him. As they come to know one another, Lily and Marvena come to also know themselves.

Peopled with many additional characters that come vividly to life, this novel is engaging, realistic and compelling. Put it on your TBR pile for January when it will be released. I recommend this one very highly.

Many thanks to NetGalley, the author and St. Martin’s Minotaur for this fantastic read!