#RethinkingAmericanArt #NetGalley1
From the publisher:
A sweeping history of changing critical standards and values in American art across 200 years. Art lovers, perplexed why their favorite artists are no longer on the walls of their local museums, will understand why change is constant. All art lovers will find a cautionary lesson about the unpredictable future.
Each generation of experts believes its own taste is the last word.
As the author writes, “People are inclined to view past changes in taste as unique misjudgments that will not happen again…. How unthinking, how stupid, they think, not realizing that the pattern has been repeated again and again in the past and will be in the future. We now recognize that the process is a continual one. Each past canon was established for good reason; there are no mistakes, there is only history. Many of the favored artists of any period including our own will drop from favor, something that art dealers never tell their clients, or museum curators their boards.” Stebbins describes the taste and outlook of each generation through his extensive research on the critics, museum activities, and the art market of each era.
An entire section of the book is devoted to some of the most important collectors of the 20th century. Rejecting the typical curator’s role as a flatterer of collectors, Stebbins examines these collectors in depth for the first time, outlining their successes and failures and their quirky personalities. He takes a hard look at the warring brothers, Sterling and Steven C. Clark; the inhibited Grenville Winthrop who left over 4,000 works to Harvard; Maxim Karolik, the gifted Ukrainian Jew who miraculously created a new canon during the Second World War; and, more recently, the enormously wealthy Alice Walton who built a new, ambitious museum of American Art in Arkansas. Of special interest is the author’s explanation of the rise and fall of American Impressionism and of the role played by the New Yorkers Raymond and Margaret Horowitz in this development.
This important volume concludes with several chapters devoted to the aesthetic standards that came to dominate the art world in recent years. At their core is a new emphasis on diversity, and a greatly expanded effort to showcase Black and women artists. Nearly every museum with collections of American art took this direction. Stebbins describes the successes and failures of many of these museums’ efforts to reinstall their collections and redefine their audiences, from the Met and the Philadelphia Museum of Art on the East Coast, to Houston and San Francisco. Most importantly, he explores the question of whether the old ideal of seeking quality in art needs to be sacrificed to the aim of diversity.
The author, Theodore E. Stebbins, Jr., was in the center of every development in American art collecting and exhibitions from the 1960s to well into the 2000s, as curator of American art at the Yale University Art Gallery, the Museum of Fine Arts, Boston, and the Harvard Art Museum. He is the author of twenty-five books on nearly every important American painter starting with Copley. Stebbins is uniquely able to put recent shifts in the canon within the context of regular, generational shifts in taste that tell us much about the value that is placed on art—including who decides what matters and why. In this book, he presents a new way of looking at American art, and he doesn’t pull his punches.
Profusely illustrated, deeply informed, fascinating and controversial, Rethinking American Art is indispensable for those seeking an understanding of American art and art collecting.
Editorial Reviews
Review
“I cannot think of another book like this—both in its descriptions of the influential critics and curators of the past and its insider’s perspective on a handful of key American art collectors. Bringing older notions of ‘quality’ and ‘masterpiece’ into the present, Stebbins also tracks the current generational shift, reviewing without partisan rancor the scholarly and cultural changes that have rocked American museums and classrooms in the last two decades. The profiles of collectors he knew personally are touching; his familiarity with dealers and the art market is invaluable. This is a book the field of American art has been waiting for.”
—Dr. Kathleen Foster, Curator of American Art, Philadelphia Museum of Art
“Ted Stebbins and I have been friends for fifty years. He has long been a guide to Carolyn and me in the world of American art. His help has been extraordinary. I value his judgment and his integrity. All of his recommendations have been outstanding and with great perspective. This book is a great read.”
—Peter Lynch, investor, philanthropist, collector
“Ted Stebbins has written a book of keen insight and clear analysis, filled with cautionary tales for the future. He has done so with a keen respect for the past, and a brilliant and ever-present engagement with the wonders of art. He writes of works of art as if he is seeing each for the first time, with a freshness and enthusiasm that helps us to see and understand. He recalls with clarity and discernment the many great individuals with whom he navigated institutions, and the marketplace, with a candor that will long be remembered. It is a memoir that, though steeped in history and memory, anticipates the future with boundless, inspiring energy.”
—Matthew Teitelbaum, Director Emeritus, Museum of Fine Arts, Boston
“Stebbins is our guide to the shifting canon of painters that he actively helped redefine. Stebbins’s shrewd purchases for museums, his original exhibitions, his teaching and his persuasive writing have changed the field of American studies. He’s known practically everybody in that field. His sharp portraits of collectors and dealers, competitors and colleagues, make for entertaining reading.”
—John Walsh, Director Emeritus, Getty Museum
“This highly informative and deeply insightful book beautifully charts the many ways American art has been appreciated, studied, valued, collected—and ultimately judged—across time. Stebbins, employing the knowledge and wisdom gained from more than 60 years as a preeminent scholar and curator of American art, provides a meticulously researched and documented history that is engagingly enriched by personal knowledge and experience. I know of no one who could have told this story more eloquently.”
—Franklin Kelly, Deputy Director and Chief Curator, National Gallery of Art (retired)
“I was Director of American Paintings at Sotheby’s from 1976-2008, years of great growth in the field. Ted Stebbins was the one museum curator who attended virtually every auction preview, closely examining every painting, as well as contributing his scholarship to us on numerous occasions. His book is a thorough investigation into all facets of the American art world, both in depth and with great insight. Truly a treasured resource.”
—Peter Rathbone, former Director of American Paintings, Sothebys
My thoughts:
This book will be welcomed by those who have a serious interest in American art. It is beautifully formatted and a bit pricey. It is worth it though. This title is gorgeously filled with American art and the text is quite readable.
Rethinking American Art belongs in college libraries and private collections.
Many thanks to NetGalley and Godine for this title. All thoughts are my own.
Pub date: 14 October 2025
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