Poisoned Pen Press has been doing a wonderful job of bringing cozy mysteries to readers. This time those who like cozy, culinary mysteries can delight in this author’s second book; it follows on the the punily named Up to No Gouda.
Readers of this book get to spend time in Vermont in the fall, what could be nicer? Well, maybe a VT without a murder. The owner of Sub-a-Dub-Sub is found killed. Carly, owner of the Balsam Deli, will try her best to solve the case.
Enjoy the food (and a food competition), enjoy the characters, enjoy the case! This book offers a fun read. I can’t wait to see what the name of this author’s next book will be.
Many thanks to NetGalley and Poisoned Pen Press for this tile. All opinions are my own.
Pub date: Pub Date 26 Jul 2022
About the Author
Linda Reilly is the author of several mystery novels, including the Cat Lady Mysteries, the Deep Fried Mysteries, and the Grilled Cheese Mysteries. A member of Sisters in Crime, Mystery Writers of America, and Cat Writers’ Association, she can be found prowling the shelves of a local bookstore or library when she’s not pounding away at her keyboard. A dyed-in-the-wool New Englander, she lives with her husband and rescue cat in southern New Hampshire. For more information, visit LindaSReilly.com.
I love reading historical fiction and am thrilled to be part of the blog tour for this title. Thanks to Harlequin, Justine Sha and Sophie James
Book info sheet:
The German Wife : A Novel
Kelly Rimmer
On Sale Date: June 28, 2022
9781525811432
Trade Paperback
$17.99 USD
464 pages
ABOUT THE BOOK:
The enmity between two women from opposing sides of the war culminates in a shocking event as anti-German sentiment sweeps America, when the aristocratic wife of a German scientist must face the social isolation, hostility and violence leveled against her and her family when they’re forced to relocate to Alabama in the aftermath of WWII. For fans of Beatriz Wiliams, Pam Jenoff, and Kristin Harmel.
Berlin, Germany, 1930—When the Nazis rise to power, Sofie von Meyer Rhodes and her academic husband benefit from the military ambitions of Germany’s newly elected chancellor when Jürgen is offered a high-level position in their burgeoning rocket program. Although they fiercely oppose Hitler’s radical views, and joining his ranks is unthinkable, it soon becomes clear that if Jürgen does not accept the job, their income will be taken away. Then their children. And then their lives.
Huntsville, Alabama, 1950—Twenty years later, Jürgen is one of many German scientists pardoned and granted a position in America’s space program. For Sofie, this is a chance to leave the horrors of her past behind. But when rumors about the Rhodes family’s affiliation with the Nazi party spread among her new American neighbors, idle gossip turns to bitter rage, and the act of violence that results tears apart a family and leaves the community wondering—is it an act of vengeance or justice?
ABOUT THE AUTHOR:
Kelly Rimmer is the worldwide, New York Times and USA Today bestselling author of Before I Let You Go, The Things We Cannot Say, and Truths I Never Told You. She lives in rural Australia with her husband, two children and fantastically naughty dogs, Sully and Basil. Her novels have been translated into more than twenty languages. Please visit her at https://www.kellyrimmer.com/
“WAKE UP, GISELA,” I MURMURED, GENTLY SHAKing my daughter awake. “It’s time to see Papa.”
After the better part of a day on a stuffy, hot bus, I was so tired my eyes were burning, my skin gritty with dried sweat from head to toe. I had one sleeping child on my lap and the other leaning into me as she sprawled across the seat. After three long weeks of boats and trains and buses, my long journey from Berlin to Alabama was finally at an end.
My youngest daughter had always been smaller than her peers, her body round and soft, with a head of auburn hair like mine, and my husband’s bright blue eyes. Over the last few months, a sudden growth spurt transformed her. She was now taller than me. The childhood softness had stretched right out of her, leaving her rail thin and lanky.
Gisela stirred, then slowly pushed herself to a sitting position. Her eyes scanned along the aisle of the bus as if she were reorienting herself. Finally, cautiously, she turned to look out the window.
“Mama. It really doesn’t look like much…”
We were driving down a wide main street lined with small stores and restaurants. So far, Huntsville looked about as I’d expected it would—neat, tidy…segregated.
Minnie’s Salon. Whites Only.
Seamstress for Colored.
Ada’s Café. The Best Pancakes in Town. Whites ONLY!
When I decided to make the journey to join my husband in America, segregation was one of a million worries I consciously put off for later. Now, faced with the stark reality of it, I dreaded the discussions I’d be having with my children once we had enough rest for productive conversation. They needed to understand exactly why those signs sent ice through my veins.
“Papa did tell us that this is a small town, remember?” I said gently. “There are only fifteen thousand people in Huntsville and it will be very different from Berlin, but we can build a good life here. And most importantly, we’ll be together again.”
“Not all of us,” Gisela muttered.
“No, not all of us,” I conceded quietly. Loss was like a shadow to me. Every now and again, I’d get distracted and I’d forget it was there. Then I’d turn around and feel the shock of it all over again. It was the same for my children, especially for Gisela. Every year of her life had been impacted by the horrors of war, or by grief and change.
I couldn’t dwell on that—not now. I was about to see my husband for the first time in almost five years and I was every bit as anxious as I was excited. I had second-guessed my decision to join him in the United States a million or more times since I shepherded the children onto that first bus in Berlin, bound for the port in Hamburg where we boarded the cross-Atlantic steamship.
I looked down at my son. Felix woke when I shook his sister, but was still sitting on my lap, pale and silent. He had a head of sandy curls and his father’s curious mind. Until now, they’d never been on the same continent.
The first thing I noticed was that Jürgen looked different. It was almost summer and warm out, but he was wearing a light blue suit with a white shirt and a dark blue bow tie. Back home, he never wore a suit that color and he never would have opted for a bow tie. And instead of his customary silver-framed glasses, he was wearing a pair with thick black plastic frames. They were modern and suited him. Of course he had new glasses—five years had passed. Why was I so bothered by those frames?
I couldn’t blame him if he reinvented himself, but what if this new version of Jürgen didn’t love me, or was someone I couldn’t continue to love?
He took a step forward as we shuffled off the bus but didn’t even manage a second before Gisela ran to him and threw her arms around his neck.
“Treasure,” he said, voice thick with emotion. “You’ve grown up so much.”
There was a faint but noticeable American twang in his German words, which was as jarring as the new glasses.
Jürgen’s gaze settled on Felix, who was holding my hand with a grip so tight my fingers throbbed. I felt anxious for both children but I was scared for Felix. We’d moved halfway across the world to a country I feared would be wary of us at best, maybe even hostile toward us. For Gisela and me, a reunion with Jürgen was enough reason to take that risk. But Felix was nervous around strangers at the best of times, and he knew his father only through anecdotes and photographs.
“Felix,” Jürgen said, keeping one arm around Gisela as he started to walk toward us. I could see that he was trying to remain composed, but his eyes shone. “Son…”
Felix gave a whimper of alarm and hid behind my legs.
“Give him time,” I said quietly, reaching behind myself to touch Felix’s hair. “He’s tired and this is a lot to take in.”
“He looks just like—” Jürgen’s voice broke. I knew the struggle well. It hurt to name our grief, but it was important to do so anyway. Our son Georg should have been twenty years old, living out the best days of his life. Instead, he was another casualty of a war that the world would never make sense of. But I came to realize that Georg would always be a part of our family, and every time I found the strength to speak his name, he was brought to life, at least in my memories.
“I know,” I said. “Felix looks just like Georg.” It was fitting that I’d chosen Georg for Felix’s middle name, a nod to the brother he’d never know.
Jürgen raised his gaze to mine and I saw the depth of my grief reflected in his. No one would ever understand my loss like he did.
I realized that our years apart meant unfathomable changes in the world and in each of us, but my connection with Jürgen would never change. It already survived the impossible. At this thought, I rushed to close the distance between us.
Gisela was gently shuffled to the side and Jürgen’s arms were finally around me again. I thought I’d be dignified and cautious when we reunited, but the minute we touched, my eyes filled with tears as relief and joy washed over me in cascading waves.
I was on the wrong side of the world in a country I did not trust, but I was also back in Jürgen’s arms, and I was instantly at home.
“My God,” Jürgen whispered roughly, his body trembling against mine. “You are a sight for sore eyes, Sofie von Meyer Rhodes.”
“Promise me you’ll never let me go again.”
Jürgen was a scientist—endlessly literal, at least under normal circumstances. Once upon a time, he’d have pointed out all the reasons why such a promise could not be made in good faith—but now his arms contracted around me and he whispered into my hair, “It would kill me to do so, Sofie. If there’s one thing I want for the rest of my life, it’s to spend every day of it with you.”
“Many of our neighbors are Germans—most have just arrived in Huntsville in the last few weeks or months, so you will all be settling in together. There’s a party for us tomorrow at the base where I work, so you’ll meet most of them then,” Jürgen told me as he drove us through the town in his sleek black 1949 Ford. He glanced at the children in the rearview mirror, his expression one of wonder, as if he couldn’t believe his eyes. “You’ll like it here, I promise.”
We’d be living in a leafy, quiet suburb called Maple Hill, on a small block the Americans nicknamed “Sauerkraut Hill” because it was now home to a cluster of German families. I translated the street signs for the children and they chuckled at the unfamiliar style. Our new street, Beetle Avenue, amused Gisela the most.
“Is there an insect plague we should worry about?” she chuckled.
“I really hope so,” Felix whispered, so quietly I had to strain to hear him. “I like beetles.”
As Jürgen pulled the car into the driveway, I couldn’t help but compare the simple house to the palatial homes I’d grown up in. This was a single-story dwelling, with a small porch leading to the front door, one window on either side. The house was clad in horizontal paneling, its white paint peeling. There were garden beds in front of the house, but they were overgrown with weeds. There was no lawn to speak of, only patchy grass in places, and the concrete path from the road to the porch was cracked and uneven.
I felt Jürgen’s eyes on my face as I stared out through the windshield, taking it all in.
“It needs a little work,” he conceded, suddenly uncertain. “It’s been so busy since I moved here, I haven’t had time to make it nice for you the way I hoped.”
“It’s perfect,” I said. I could easily picture the house with a fresh coat of paint, gardens bursting to life, Gisela and Felix running around, happy and safe and free as they made friends with the neighborhood children.
Just then, a woman emerged from the house to the left of ours, wearing a dress not unlike mine, her long hair in a thick braid, just like mine.
“Welcome, neighbors!” she called in German, beaming.
“This is Claudia Schmidt,” Jürgen said quietly as he reached to open his car door. “She’s married to Klaus, a chemical engineer. Klaus has been at Fort Bliss with me for a few years, but Claudia arrived from Frankfurt a few days ago.”
Sudden, sickening anxiety washed over me.
“Did you know him—”
“No,” Jürgen interrupted me, reading my distress. “He worked in a plant at Frankfurt and our paths never crossed. We will talk later, I promise,” he said, dropping his voice as he nodded toward the children. I reluctantly nodded, as my heart continued to race.
There was so much Jürgen and I needed to discuss, including just how he came to be a free man in America. Phone calls from Europe to America were not available to the general public, so Jürgen and I planned the move via letters—a slow-motion, careful conversation that took almost two years to finalize. We assumed everything we wrote down would be read by a government official, so I hadn’t asked and he hadn’t offered an explanation about how this unlikely arrangement in America came to be.
I couldn’t get answers yet, not with the children in earshot, so it would have to be enough reassurance for me to know our neighbors were probably not privy to the worst aspects of our past.
Jürgen left the car and walked over to greet Claudia, and I climbed out my side. As I walked around the car to follow him, I noticed a man walking along the opposite side of the street, watching us. He was tall and broad, and dressed in a nondescript, light brown uniform that was at least a size or two too small. I offered him a wave, assuming him to be a German neighbor, but he scoffed and shook his head in disgust and looked away.
I’d been prepared for some hostility, but the man’s reaction stung more than I’d expected it to. I took a breath, calming myself. One unfriendly pedestrian was not going to ruin my first day in our new home—my first day reunited with Jürgen—so I forced a bright smile and rounded the car to meet Claudia.
“I’m Sofie.”
She nodded enthusiastically. “Since we arrived last week, you are all I’ve heard about from your husband! He has been so excited for you to come.”
“I sure have.” Jürgen grinned.
“Are you and the children coming to the party tomorrow?” Claudia asked.
“We are,” I said, and she beamed again. I liked her immediately. It was a relief to think I might have a friend to help me navigate our new life.
“Us too,” Claudia said, but then her face fell a little and she pressed her palms against her abdomen, as if soothing a tender stomach. “I am so nervous. I know two English words—hello and soda.”
“That’s a start,” I offered, laughing softly.
“I’ve only met a few of the other wives, but they’re all in the same boat. How on earth is this party going to work? Will we have to stay by our husbands’ sides so they can translate for us?”
“I speak English,” I told her. I was fluent as a child, taking lessons with British nannies, then honing my skills on business trips with my parents. Into my adulthood, I grew rusty from lack of speaking it, but the influx of American soldiers in Berlin after the war gave me endless opportunities for practice. Claudia’s expression lifted again and now she clapped her hands in front of her chest.
“You can help us learn.”
“Do you have children? I want Gisela and Felix to learn as quickly as they can. Perhaps we could do some lessons all together.”
“Three,” she told me. “They are inside watching television.”
“You have a television?” I said, eyebrows lifting.
“We have a television too,” Jürgen told us. “I bought it as a housewarming gift for you all.” Gisela gasped, and he laughed and extended his hand to her. I wasn’t surprised when she immediately tugged him toward the front door. She’d long dreamed of owning a television set, but such a luxury was out of reach for us in Berlin.
I waved goodbye to Claudia and followed my family, but I was distracted, thinking about the look of disgust in the eyes of that passing man.
This is the fourth book in the author’s enjoyable historical mystery series. Readers who already know Sparks and Bainbride will be happy to again spend time with them and their agency.
For those who don’t know, the two women, one a former intelligence agent and the other, a war widow, run a Marriage Bureau. Sparks and Bainbridge are quite different people but they successfully share this business. The idea of a marriage bureau as a setting is quite clever in my opinion.
The time period of the novel is post WWII. The setting is England. This time Iris Sparks is approached by someone who has a tie to a person from her past. At the same time, Gwendolyn is trying to straighten out some issues from her own life. In addition to all of this, of course, there is a murder that needs to be solved.
A strength of this series is its protagonists and their backstories. I very much enjoyed reading about Iris and Gwendolyn.
Those who enjoy historical fiction and mysteries will do well to look at this. series. After reading this novel, readers may then want to work their way through all of the novels, even as they wait eagerly for book number five.
Many thanks to NetGalley and St. Martin’s Press-Minotaur for this title. All opinions are my own.
I have read many books by Susan Wiggs. In my opinion, this title is different from others, including the Lakeshore Chronicles, that I have read.
This book begins in an engaging way and I was drawn right in. Readers get to know many who live or work on Perdita Street, the location of the author’s book of last year. One of these characters, Margot, is a largely self-made woman who owns her own restaurant. She has carefully chosen its location and is eager for this barbecue restaurant to be a success.
Margot’s restaurant shares a kitchen with a bakery. She therefore gets to know Ida B (yes, like Wells) and her son Jerome. Readers will like both of them.
Readers learn about each of these character’s early years. Margot was very close to her mother but was left on her own too soon. A couple who own a restaurant gave her a start and she ran with it.
Ida B had a love affair when she was a teen. This relationship led to Jerome’s birth. Her backstory will, I think, be a part of the book that will draw readers in. Jerome, is an adult as the story opens. He is a divorced single dad. Will he and Margot get together?
In this novel, I think that Ms. Wiggs had a kind of Jodi Picoult moment as she chose to address some very difficult issues. Some of these have to do with race while one big part of the plot has to do with what happened to Margot, then Margie, at an earlier stage in her life.
A warning and spoiler:
This story was moving along and then a section comes that is about what happened to Margie/Margot when she got involved with a young man in her town. This relationship sours. In this part of the novel, there is graphic sexual and physical violence. Margie’s effort to protect herself with its ramifications and her subsequent experiences in prison may be hard for some to read.
Trigger warning ended.
I found myself engaged with the characters and wanting the best for them. I was hoping for that happy ending as I turned the pages.
Fans of Susan Wiggs will most likely want to read this book. Those who like women’s fiction and are willing to look at hard issues may also enjoy this one.
Many thanks to NetGalley and William Morrow for this title. All opinions are my own.
New York Times bestselling author Christina Dodd writes “edge-of-the-seat suspense” (Iris Johansen) with “brilliantly etched characters, polished writing, and unexpected flashes of sharp humor that are pure Dodd” (ALA Booklist). Her fifty-eight books have been called “scary, sexy, and smartly written” by Booklist and, much to her mother’s delight, Dodd was once a clue in the Los Angeles Times crossword puzzle. Enter Christina’s worlds and join her mailing list at http://www.christinadodd.com.
Book Summary:
From New York Times bestselling author Christina Dodd comes a brand new, standalone suspense about a reclusive artist who retrieves a seemingly dead woman from the Pacific Ocean…only to have her come back to life with no memory of what happened to her. With a strong female protagonist, a chilling villain, and twisty secrets that will keep you turning the pages.Perfect for fans of Lisa Jewell, Karin Slaughter and Sandra Brown, POINT LAST SEEN, will have readers keeping the lights on all night.
LIFE LAST SEEN
When you’ve already died, there should be nothing left to fear… When Adam Ramsdell pulls Elle’s half-frozen body from the surf on a lonely California beach, she has no memory of what her full name is and how she got those bruises ringing her throat.
GIRL LAST SEEN
Elle finds refuge in Adam’s home on the edge of Gothic, a remote village located between the steep lonely mountains and the raging Pacific Ocean. As flashes of her memory return, Elle faces a terrible truth—buried in her mind lurks a secret so dark it could get her killed.
POINT LAST SEEN
Everyone in Gothic seems to hide a dark past. Even Adam knows more than he will admit. Until Elle can unravel the truth, she doesn’t know who to trust, when to run and who else might be hurt when the killer who stalks her nightmares appears to finish what he started…
An excerpt:
two
A Morning in February
Gothic, California
The storm off the Pacific had been brutal, a relentless night of cold rain and shrieking wind. Adam Ramsdell had spent the hours working, welding and polishing a tall, heavy, massive piece of sculpture, not hearing the wailing voices that lamented their own passing, not shuddering when he caught sight of his own face in the polished stainless steel. He sweated as he moved swiftly to capture the image he saw in his mind, a clawed monster rising from the deep: beautiful, deadly, dangerous.
And as always, when dawn broke, the storm moved on and he stepped away, he realized he had failed.
Impatient, he shoved the trolley that held the sculpture toward the wall. One of claws swiped his bare chest and proved to him he’d done one thing right: razor-sharp, it opened a long, thin gash in his skin. Blood oozed to the surface. He used his toe to lock the wheels on the trolley, securing the sculpture in case of the occasional California earth tremor.
Then with the swift efficiency of someone who had dealt with minor wounds, his own and others’, he found a clean towel and stanched the flow. Going into the tiny bathroom, he washed the site and used superglue to close the gash. The cut wasn’t deep; it would hold.
He tied on his running shoes and stepped outside into the short, bent, wet grass that covered his acreage. The rosemary hedge that grew at the edge of his front porch released its woody scent. The newly washed sunlight had burned away the fog, and Adam started running uphill toward town, determined to get breakfast, then come home to bed. Now that the sculpture was done and the storm had passed, he needed the bliss of oblivion, the moments of peace sleep could give him.
Yet every year as the Ides of March and the anniversary of his failure approached, nightmares tracked through his sleep and followed him into the light. They were never the same but always a variation on a theme: he had failed, and in two separate incidents, people had died…
The route was all uphill; nevertheless, each step was swift and precise. The sodden grasses bent beneath his running shoes. He never slipped; a man could die from a single slip. He’d always known that, but now, five years later, he knew it in ways he could never forget.
As he ran, he shed the weariness of a long night of cutting, grinding, hammering, polishing. He reached the asphalt and he lengthened his stride, increased his pace.
He ran past the cemetery where a woman knelt to take a chalk etching of a crumbling headstone, past the Gothic Museum run by local historian Freya Goodnight.
The Gothic General Store stood on the outside of the lowest curve of the road. Today the parking lot was empty, the rockers were unoccupied, and the store’s sixteen-year-old clerk lounged in the open door. “How you doing, Mr. Ramsdell?” she called.
He lifted his hand. “Hi, Tamalyn.”
She giggled.
Somehow, on the basis of him waving and remembering her name, she had fallen in love with him. He reminded himself that the dearth of male teens in the area left him little competition, but he could feel her watching him as he ran past the tiny hair salon where Daphne was cutting a local rancher’s hair in the outdoor barber chair.
His body urged him to slow to a walk, but he deliberately pushed himself.
Every time he took a turn, he looked up at Widow’s Peak, the rocky ridge that overshadowed the town, and the Tower, the edifice built by the Swedish silent-film star who in the early 1930s had bought land and created the town to her specifications.
At last he saw his destination, the Live Oak, a four-star restaurant in a one-star town. The three-story building stood at the corner of the highest hairpin turn and housed the eatery and three exclusive suites available for rent.
When Adam arrived he was gasping, sweating, holding his side. Since his return from the Amazon basin, he had never completely recovered his stamina.
Irksome.
At the corner of the building, he turned to look out at the view.
The vista was magnificent: spring-green slopes, wave-battered sea stacks, the ocean’s endless surges, and the horizon that stretched to eternity. During the Gothic jeep tour, Freya always told the tourists that from this point, if a person tripped and fell, that person could tumble all the way to the beach. Which was an exaggeration. Mostly.
Adam used the small towel hooked into his waistband to wipe the sweat off his face. Then disquiet began its slow crawl up his spine.
Someone had him under observation.
He glanced up the grassy hill toward the olive grove and stared. A glint, like someone stood in the trees’ shadows watching with binoculars. Watching him.
No. Not him. A peregrine falcon glided through the shredded clouds, and seagulls cawed and circled. Birders came from all over the word to view the richness of the Big Sur aviary life. As he watched, the glint disappeared. Perhaps the birder had spotted a tufted puffin. Adam felt an uncomfortable amount of relief in that: it showed a level of paranoia to imagine someone was watching him, but…
But. He had learned never to ignore his instincts. The hard way, of course.
He stepped into the restaurant doorway, and from across the restaurant he heard the loud snap of the continental waiter’s fingers and saw the properly suited Ludwig point at a small, isolated table in the back corner. Adam’s usual table.
Before Adam took a second step, he made an inventory of all possible entrances and exits, counted the number of occupants and assessed them as possible threats, and evaluated any available weapons. An old habit, it gave him peace of mind.
Three exits: front door, door to kitchen, door to the upper suites.
Mr. Kulshan sat by the windows, as was his wont. He liked the sun, and he lived to people-watch. Why not? He was in his midnineties. What else had he to do?
In the conference room, behind an open door, reserved for a business breakfast, was a long table with places set for twenty people.
A young couple, tourists by the look of them, held hands on the table and smiled into each other’s eyes.
Nice. Really nice to know young love still existed.
There, her back against the opposite wall, was an actress. Obviously an actress. She had possibly arrived for breakfast, or to stay in one of the suites. Celebrities visits happened often enough that most of the town was blasé, although the occasional scuffle with the paparazzi did lend interest to the village’s tranquil days.
She wasn’t pretty. Her face was too angular, her mouth too wide, her chin too determined. She was reading through a stack of papers and using a marker to highlight and a ballpoint to make notes… And she wore glasses. Not casual I need a little visual assistance glasses. These were Coke-bottle bottoms set in lime-green frames.
Interesting: Why had an actress not had laser surgery? Not that it mattered. Behind those glasses her brown eyes sparked with life, interest and humor, although he didn’t understand how someone could convey all that while never looking up. She had shampoo-commercial hair—long, dark, wavy, shining—and when she caught it in her hand and shoved it over one shoulder, he felt his breath catch.
A gravelly voice interrupted a moment that had gone on too long and revealed too clearly how Adam’s isolation had affected him. “Hey, you. Boy! Come here.” Mr. Kulshan beckoned. Mr. Kulshan, who had once been tall, sturdy and handsome. Then the jaws of old age had seized him, gnawed him down to a bent-shouldered, skinny old man.
Adam lifted a finger to Ludwig, indicating breakfast would have to wait.
Ludwig glowered. Maybe his name was suggestive, but the man looked like Ludwig van Beethoven: rough, wild, wavy hair, dark brooding eyes under bushy eyebrows, pouty lips, cleft in the chin. He seldom talked and never smiled. Most people were afraid of him.
Adam was not. He walked to Mr. Kulshan’s table and took a seat opposite the old man. “What can I do for you, sir?”
“Don’t call me sir. I told you, call me K.H.”
Adam didn’t call people by their first names. That encouraged friendliness.
“If you can’t do that, call me Kulshan.” With his fork, the old guy stabbed a lump of breaded something and handed it to Adam. “What do you think this is?”
Adam had traveled the world, learned to eat what was offered, so he took the fork, sniffed the lump and nibbled a corner. “I believe it’s fried sweetbread.”
Mr. Kulshan made a gagging noise. “My grandmother made us eat sweetbread.” He bit it off the end of the fork. “This isn’t as awful as hers.” With loathing, he said, “This is Frenchie food.”
“Señor Alfonso is Spanish.”
Mr. Kulshan ignored Adam for all he was worth. “Next thing you know, this Alfonso will be scraping snails off the sidewalk and calling it escargots.”
“Actually…” Adam caught the twinkle in Mr. Kulshan’s eyes and stood. “Fine. Pull my chain. I’m going to have breakfast.”
Mr. Kulshan caught his wrist. “Have you heard what Caltrans is doing about the washout?” He referred to the California Department of Transportation and their attempts to repair the Pacific Coast Highway and open it to traffic.
“No. What?”
“Nothing!” Mr. Kulshan cackled wildly, then nodded at the actress. “The girl. Isn’t she something? Built like a brick shithouse.”
Interested, Adam settled back into the chair. “Who is she?”
“Don’t you ever read People magazine? That’s Clarice Burbage. She’s set to star in the modern adaptation of Shakespeare’s…um…one of Shakespeare’s plays. Who cares? She’ll play a king. Or something. That’s the script she’s reading.”
Clarice looked up as if she’d heard them—which she had, because Mr. Kulshan wore hearing aids that didn’t work well enough to compensate for his hearing loss—and smiled and nodded genially.
Mr. Kulshan grinned at her. “Hi, Clarice. Loved you in Inferno!”
“Thank you, K.H.” She projected her voice so he could hear her.
Mr. Kulshan shot Adam a triumphant look that clearly said See? Clarice Burbage calls me by my first name.
The actress-distraction was why the two men were surprised when the door opened and a middle-aged, handsome, casually dressed woman with cropped red hair walked in.
